<html><head><meta name="color-scheme" content="light dark"></head><body><pre style="word-wrap: break-word; white-space: pre-wrap;">\usepackage{fontspec,metalogo}

\newfontfamily\englishfont[Script=Latin,Ligatures=TeX,HyphenChar=-]{Linux Libertine O}
\newfontfamily\russianfont[Script=Cyrillic,Ligatures=TeX]{Linux Libertine O}
\setmonofont[Scale=MatchLowercase]{Fira Slav}
\newfontfamily\russianfonttt[Scale=MatchLowercase]{Fira Slav}
\newfontfamily\russianfontsf[Script=Cyrillic,Ligatures=TeX]{Linux Biolinum O}
\newfontfamily\churchslavonicfont[Script=Cyrillic,Ligatures=TeX,Scale=MatchLowercase,HyphenChar=_]{Ponomar Unicode}
\newfontfamily\churchslavonicfonttt[Scale=MatchLowercase]{Fira Slav}
\newfontfamily\musicFont[Scale=1.5]{Mezenets Unicode}

\usepackage{churchslavonic}
\usepackage{doc}
\usepackage{lettrine}
\usepackage[unicode,
  pdftitle={churchslavonic: a package for typesetting Church Slavonic documents in TeX},
  pdfauthor={Aleksandr Andreev and Mike Kroutikov},
  pdfkeywords={Church Slavonic, Old Church Slavonic, Church Slavic, Znamenny Notation, LaTeX, TeX, XeTeX, LuaTeX, OpenType, Unicode, Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ð¹, ÑÑ‚Ð°Ñ€Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ð¹, Ð·Ð½Ð°Ð¼ÐµÐ½Ð½Ð°Ñ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ñ, ÐºÑ€ÑŽÐºÐ¸, ÑÑ‚Ð¾Ð»Ð¿Ð¾Ð²Ð°Ñ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ñ}
]{hyperref}

\def\fileversion{v0.2.4}
\def\filedate{June 22, 2023}
\let\cuKrukFont=\musicFont
\def\pkg#1{\textsf{#1}}
\def\cs#1{\texttt{\textbackslash #1}}
%
\cuDefineDateFormat{long}{%
  \cuDayName{\cuDOW},
  \cuNum{\cuDAY}\textunderscore Ð³Ñ¡~%
  \cuMonthName{\cuMONTH},~%
  Ð»Ñ£ÌÑ‚Ð° Ñ¿ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÌÐ½Ñ–ÌˆÑ§ Ð¼Ñ–ÌÑ€Ð°~\cuNum{\cuYEARAM}%
}
%
\makeatletter
\def\cu@lettrine{\lettrine[lines=3,findent=0pt,nindent=0pt]}
\def\cuLettrine{\cu@tokenizeletter\cu@lettrine}
\renewcommand{\LettrineFontHook}{\cuKinovarColor}
\makeatother

\begin{document}

\begin{EN}
\title{\pkg{churchslavonic} package --- Church Slavonic Typography in \LaTeX}
\author{Aleksandr Andreev and Mike Kroutikov\\version~\fileversion}
\end{EN}

\begin{RU}
\title{ÐŸÐ°ÐºÐµÑ‚ \pkg{churchslavonic} --- Ð²ÐµÑ€ÑÑ‚ÐºÐ° Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ñ… Ñ‚ÐµÐºÑÑ‚Ð¾Ð² Ð² ÑÐ¸ÑÑ‚ÐµÐ¼Ðµ \LaTeX}
\author{ÐÐ»ÐµÐºÑÐ°Ð½Ð´Ñ€ ÐÐ½Ð´Ñ€ÐµÐµÐ² Ð¸ ÐœÐ¸Ñ…Ð°Ð¸Ð» ÐšÑ€ÑƒÑ‚Ð¸ÐºÐ¾Ð²\\Ð²ÐµÑ€ÑÐ¸Ñ~\fileversion}
\end{RU}

\date{\today}
\maketitle

\begin{EN}
\begin{abstract}
Package \pkg{churchslavonic} provides fonts, hyphenation patterns and supporting macros to typeset
Church Slavonic texts.
\end{abstract}
\end{EN}

\begin{RU}
\begin{abstract}
ÐŸÐ°ÐºÐµÑ‚ \pkg{churchslavonic} Ð¿Ð¾Ð·Ð²Ð¾Ð»ÑÐµÑ‚ Ð²ÐµÑ€ÑÑ‚Ð°Ñ‚ÑŒ Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ðµ Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ñ‹. Ð’ Ð¿Ð°ÐºÐµÑ‚ Ð²ÐºÐ»ÑŽÑ‡ÐµÐ½Ñ‹ ÑˆÐ°Ð±Ð»Ð¾Ð½Ñ‹ Ð¿ÐµÑ€ÐµÐ½Ð¾ÑÐ¾Ð²,
ÑˆÑ€Ð¸Ñ„Ñ‚Ñ‹ Ð¸ Ð½Ð°Ð±Ð¾Ñ€ Ð½ÐµÐ¾Ð±Ñ…Ð¾Ð´Ð¸Ð¼Ñ‹Ñ… Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´.
\end{abstract}
\end{RU}

\tableofcontents

\begin{EN}
\section*{Introduction}
Church Slavonic (also called Church Slavic, Old Church Slavonic
or Old Slavonic; ISO 639-2 code \texttt{cu}) is a literary language used by
the Slavic peoples; presently it is used as a liturgical language by the
Russian Orthodox Church, other local Orthodox Churches, as well
as various Byzantine-Rite Catholic and Old Ritualist communities.
The package \texttt{churchslavonic} provides fonts, hyphenation
patterns and supporting macros to typeset
Church Slavonic texts in \TeX{}.

The package is designed to support Unicode text encoded in UTF-8.
Texts encoded in legacy codepages (such as HIP and UCS) may be
converted to Unicode using a separate bundle of utilities.
See the \href{http://sci.ponomar.net/}
{Slavonic Computing Initiative website} for more information.
To use the tools in this package, you will need a Unicode-aware \TeX{}
engine such as \XeTeX{} or \LuaTeX{}.
\end{EN}

\begin{RU}
\section*{Ð’Ð²ÐµÐ´ÐµÐ½Ð¸Ðµ}
Ð¦ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ð¹ ÑÐ·Ñ‹Ðº (ISO 639-2 ÐºÐ¾Ð´ \texttt{cu}) --
Ð´Ñ€ÐµÐ²Ð½Ð¸Ð¹ Ð»Ð¸Ñ‚ÐµÑ€Ð°Ñ‚ÑƒÑ€Ð½Ñ‹Ð¹ ÑÐ·Ñ‹Ðº ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ñ… Ð½Ð°Ñ€Ð¾Ð´Ð¾Ð²,
ÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ð¹ Ñ‚ÐµÐ¿ÐµÑ€ÑŒ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð² Ð¾ÑÐ½Ð¾Ð²Ð½Ð¾Ð¼ ÐºÐ°Ðº Ð±Ð¾Ð³Ð¾ÑÐ»ÑƒÐ¶ÐµÐ±Ð½Ñ‹Ð¹ ÑÐ·Ñ‹Ðº
Ð² Ð&nbsp;ÑƒÑÑÐºÐ¾Ð¹ ÐŸÑ€Ð°Ð²Ð¾ÑÐ»Ð°Ð²Ð½Ð¾Ð¹ Ð¦ÐµÑ€ÐºÐ²Ð¸, Ð´Ñ€ÑƒÐ³Ð¸Ñ… Ð¿Ð¾Ð¼ÐµÑÑ‚Ð½Ñ‹Ñ… Ð¿Ñ€Ð°Ð²Ð¾ÑÐ»Ð°Ð²Ð½Ñ‹Ñ…
Ñ†ÐµÑ€ÐºÐ²ÑÑ…, Ð° Ñ‚Ð°ÐºÐ¶Ðµ Ð² Ð³Ñ€ÐµÐºÐ¾ÐºÐ°Ñ‚Ð¾Ð»Ð¸Ñ‡ÐµÑÐºÐ¸Ñ… Ð¸ ÑÑ‚Ð°Ñ€Ð¾Ð¾Ð±Ñ€ÑÐ´Ñ‡ÐµÑÐºÐ¸Ñ… Ð¾Ð±Ñ‰Ð¸Ð½Ð°Ñ….
ÐŸÐ°ÐºÐµÑ‚ \pkg{churchslavonic} Ð¿Ð¾Ð·Ð²Ð¾Ð»ÑÐµÑ‚ Ð²ÐµÑ€ÑÑ‚Ð°Ñ‚ÑŒ Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ðµ Ñ‚ÐµÐºÑÑ‚Ñ‹
Ð² ÑÐ¸ÑÑ‚ÐµÐ¼Ðµ \TeX{}. Ð’ Ð¿Ð°ÐºÐµÑ‚ Ð²ÐºÐ»ÑŽÑ‡ÐµÐ½Ñ‹ ÑˆÐ°Ð±Ð»Ð¾Ð½Ñ‹ Ð¿ÐµÑ€ÐµÐ½Ð¾ÑÐ¾Ð²,
ÑˆÑ€Ð¸Ñ„Ñ‚Ñ‹ Ð¸ Ð½Ð°Ð±Ð¾Ñ€ Ð½ÐµÐ¾Ð±Ñ…Ð¾Ð´Ð¸Ð¼Ñ‹Ñ… Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´.

Ð”Ð°Ð½Ð½Ñ‹Ð¹ Ð¿Ð°ÐºÐµÑ‚ Ð¿Ð¾Ð´Ð´ÐµÑ€Ð¶Ð¸Ð²Ð°ÐµÑ‚ Ñ‚Ð¾Ð»ÑŒÐºÐ¾ Ð½Ð°Ð±Ð¾Ñ€ Ð² ÑÑ‚Ð°Ð½Ð´Ð°Ñ€Ñ‚Ðµ Ð®Ð½Ð¸ÐºÐ¾Ð´.
Ð¢ÐµÐºÑÑ‚Ñ‹, Ð½Ð°Ð±Ñ€Ð°Ð½Ð½Ñ‹Ðµ Ð² ÑƒÑÑ‚Ð°Ñ€ÐµÐ²ÑˆÐ¸Ñ… ÐºÐ¾Ð´Ð¸Ñ€Ð¾Ð²ÐºÐ°Ñ… HIP Ð¸ UCS,
Ð¼Ð¾Ð¶Ð½Ð¾ ÐºÐ¾Ð½Ð²ÐµÑ€Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ Ð² Ð®Ð½Ð¸ÐºÐ¾Ð´ (Ñ‚Ð¾Ñ‡Ð½ÐµÐµ -- Ð² UTF-8) Ñ Ð¿Ð¾Ð¼Ð¾Ñ‰ÑŒÑŽ
Ð¾Ñ‚Ð´ÐµÐ»ÑŒÐ½Ñ‹Ñ… ÑƒÑ‚Ð¸Ð»Ð¸Ñ‚, ÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ðµ Ð¼Ð¾Ð¶Ð½Ð¾ Ð½Ð°Ð¹Ñ‚Ð¸ Ð½Ð° ÑÐ°Ð¹Ñ‚Ðµ
\href{http://sci.ponomar.net/}
{Ð˜Ð½Ð¸Ñ†Ð¸Ð°Ñ‚Ð¸Ð²Ð½Ð¾Ð¹ Ð³Ñ€ÑƒÐ¿Ð¿Ñ‹ ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¾Ð¹ Ð¸Ð½Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸ÐºÐ¸}.
Ð”Ð»Ñ Ñ‚Ð¾Ð³Ð¾, Ñ‡Ñ‚Ð¾Ð±Ñ‹ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒ Ð²Ð¾Ð·Ð¼Ð¾Ð¶Ð½Ð¾ÑÑ‚Ð¸ ÑÑ‚Ð¾Ð³Ð¾ Ð¿Ð°ÐºÐµÑ‚Ð° Ð’Ð°Ð¼
Ð¿Ð¾Ð½Ð°Ð´Ð¾Ð±Ð¸Ñ‚ÑÑ ÑÐ¸ÑÑ‚ÐµÐ¼Ð° Ð²ÐµÑ€ÑÑ‚ÐºÐ¸ \TeX{}, Ð¿Ð¾Ð´Ð´ÐµÑ€Ð¶Ð¸Ð²Ð°ÑŽÑ‰Ð°Ñ Ð®Ð½Ð¸ÐºÐ¾Ð´,
Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, \XeTeX{} Ð¸Ð»Ð¸ \LuaTeX{}.
\end{RU}

\begin{EN}
\section{How to use the package}
To use the \pkg{churchslavonic} package one needs to include the following
declarations into the document preamble:
\end{EN}

\begin{RU}
\section{ÐšÐ°Ðº Ð¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒÑÑ Ð¿Ð°ÐºÐµÑ‚Ð¾Ð¼}
Ð”Ð¾Ð±Ð°Ð²ÑŒÑ‚Ðµ ÑÐ»ÐµÐ´ÑƒÑŽÑ‰Ð¸Ðµ Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð² Ð¿Ñ€ÐµÐ°Ð¼Ð±ÑƒÐ»Ñƒ Ð²Ð°ÑˆÐµÐ³Ð¾ Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°:
\end{RU}

\begin{verbatim}
\usepackage{polyglossia}
\setmainlanguage{churchslavonic}
\usepackage{churchslavonic}
\end{verbatim}

\begin{EN}
This makes the Church Slavonic hyphenation patterns immediately available.
After that, use the standard \pkg{polyglossia} commands to control current language.
Church Slavonic fonts are provided by the \pkg{fonts-churchslavonic} package,
which should have been installed automatically when you installed this package.
See the \pkg{fonts-churchslavonic} documentation for information about fonts.
\end{EN}

\begin{RU}
Ð¡Ñ€Ð°Ð·Ñƒ ÑÑ‚Ð°Ð½ÑƒÑ‚ Ð´Ð¾ÑÑ‚ÑƒÐ¿Ð½Ñ‹ Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ðµ ÑˆÐ°Ð±Ð»Ð¾Ð½Ñ‹ Ð¿ÐµÑ€ÐµÐ½Ð¾ÑÐ° ÑÐ»Ð¾Ð².
ÐŸÐ¾ÑÐ»Ðµ Ñ‡ÐµÐ³Ð¾ Ð¿ÐµÑ€ÐµÐºÐ»ÑŽÑ‡Ð°Ð¹Ñ‚ÐµÑÑŒ Ð¼ÐµÐ¶Ð´Ñƒ ÑÐ·Ñ‹ÐºÐ°Ð¼Ð¸ ÑÑ‚Ð°Ð½Ð´Ð°Ñ€Ñ‚Ð½Ñ‹Ð¼Ð¸ ÑÑ€ÐµÐ´ÑÑ‚Ð²Ð°Ð¼Ð¸ Ð¿Ð°ÐºÐµÑ‚Ð° \pkg{polyglossia}.
Ð¦ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ðµ ÑˆÑ€Ð¸Ñ„Ñ‚Ñ‹ Ð¿Ñ€ÐµÐ´Ð¾ÑÑ‚Ð°Ð²Ð»ÐµÐ½Ñ‹ Ð² Ð¾Ñ‚Ð´ÐµÐ»ÑŒÐ½Ð¾Ð¼ Ð¿Ð°ÐºÐµÑ‚Ðµ \pkg{fonts-churchslavonic},
ÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ð¹ Ð´Ð¾Ð»Ð¶ÐµÐ½ Ð±Ñ‹Ð» ÑƒÑÑ‚Ð°Ð½Ð¾Ð²Ð¸Ñ‚ÑŒÑÑ, ÐºÐ¾Ð³Ð´Ð° Ð²Ñ‹ ÑƒÑÑ‚Ð°Ð½Ð¾Ð²Ð¸Ð»Ð¸ ÑÑ‚Ð¾Ñ‚ Ð¿Ð°ÐºÐµÑ‚.
ÐŸÐ¾Ð´Ñ€Ð¾Ð±Ð½Ð¾ÑÑ‚Ð¸ Ð¾ ÑˆÑ€Ð¸Ñ„Ñ‚Ð°Ñ… ÑÐ¼Ð¾Ñ‚Ñ€Ð¸Ñ‚Ðµ Ð² Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°Ñ†Ð¸Ð¸ Ðº Ð¿Ð°ÐºÐµÑ‚Ñƒ \pkg{fonts-churchslavonic}.
\end{RU}

\begin{EN}
\subsection{Options \texttt{color}, \texttt{gray} (= \texttt{grey}), and \texttt{bw}}
These options control what color is actually being used for text coloring commands like \cs{cuKinovar}.

\begin{itemize}
\item \texttt{color} this is the default option; it indicates the original color (a shade of red).
\item \texttt{gray} (\texttt{grey}) replaces the red color with gray - useful if you are printing on media that
    does not support color, but is capable of grayscale.
\item \texttt{bw} replaces the red color with black (effectively turning off
commands like \cs{cuKinovar} and \cs{cuKinovarColor}). Use
    this option to generate a document that will be printed in black-and-white.
\end{itemize}
Example:
\end{EN}

\begin{RU}
\subsection{ÐžÐ¿Ñ†Ð¸Ð¸ \texttt{color}, \texttt{gray} (= \texttt{grey}) Ð¸ \texttt{bw}}
ÐžÐ¿Ñ†Ð¸Ð¸ Ð¿Ð¾Ð·Ð²Ð¾Ð»ÑÑŽÑ‚ Ð¾Ñ‚ÐºÐ»ÑŽÑ‡Ð°Ñ‚ÑŒ Ñ†Ð²ÐµÑ‚ Ñ€Ð°ÑÐºÑ€Ð°ÑÐºÐ¸ Ñ‚ÐµÐºÑÑ‚Ð° Ð² ÐºÐ¾Ð¼Ð°Ð½Ð´Ð°Ñ… Ñ‚Ð¸Ð¿Ð° \cs{cuKinovar}.
ÐŸÐ¾Ð»ÐµÐ·Ð½Ñ‹ Ð´Ð»Ñ ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ñ Ð²ÐµÑ€ÑÐ¸Ð¹ Ð´Ð»Ñ Ð¿ÐµÑ‡Ð°Ñ‚Ð¸ Ð½Ð°
ÑƒÑÑ‚Ñ€Ð¾Ð¹ÑÑ‚Ð²Ð°Ñ…, ÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ðµ Ð½Ðµ Ð¿Ð¾Ð´Ð´ÐµÑ€Ð¶Ð¸Ð²Ð°ÑŽÑ‚ Ñ†Ð²ÐµÑ‚Ð½Ð¾ÑÑ‚Ð¸.

\begin{itemize}
\item \texttt{color} ÑÑ‚Ð° Ð¾Ð¿Ñ†Ð¸Ñ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð¿Ð¾ ÑƒÐ¼Ð¾Ð»Ñ‡Ð°Ð½Ð¸ÑŽ Ð¸ Ð¾Ð·Ð½Ð°Ñ‡Ð°ÐµÑ‚,
Ñ‡Ñ‚Ð¾ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð½Ð¾Ñ€Ð¼Ð°Ð»ÑŒÐ½Ñ‹Ð¹ ÐºÑ€Ð°ÑÐ½Ñ‹Ð¹ Ñ†Ð²ÐµÑ‚.
\item \texttt{gray} (\texttt{grey}) Ð·Ð°Ð¼ÐµÐ½ÑÐµÑ‚ ÐºÑ€Ð°ÑÐ½Ñ‹Ð¹ Ñ†Ð²ÐµÑ‚ ÑÐµÑ€Ñ‹Ð¼ --- Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐ¹Ñ‚Ðµ ÑÑ‚Ñƒ Ð¾Ð¿Ñ†Ð¸ÑŽ, ÐµÑÐ»Ð¸
Ð²Ð°ÑˆÐµ ÑƒÑÑ‚Ñ€Ð¾Ð¹ÑÑ‚Ð²Ð¾ Ð¿ÐµÑ‡Ð°Ñ‚Ð¸ Ð½Ðµ Ð¿Ð¾Ð´Ð´ÐµÑ€Ð¶Ð¸Ð²Ð°ÐµÑ‚ Ñ†Ð²ÐµÑ‚Ð½Ð¾ÑÑ‚Ð¸, Ð½Ð¾ Ð¼Ð¾Ð¶ÐµÑ‚ ÐºÐ°Ñ‡ÐµÑÑ‚Ð²ÐµÐ½Ð½Ð¾ Ð¿ÐµÑ€ÐµÐ´Ð°Ð²Ð°Ñ‚ÑŒ Ð³Ñ€Ð°Ð´Ð°Ñ†Ð¸Ð¸ ÑÐµÑ€Ð¾Ð³Ð¾ Ñ†Ð²ÐµÑ‚Ð°.
\item \texttt{bw} Ð¾Ñ‚ÐºÐ»ÑŽÑ‡Ð°ÐµÑ‚ Ð²ÑÑÐºÑƒÑŽ Ñ€Ð°ÑÐºÑ€Ð°ÑÐºÑƒ --- Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐ¹Ñ‚Ðµ Ð´Ð»Ñ ÑÐ¾Ð·Ð´Ð°Ð½Ð¸Ñ Ñ‡ÐµÑ€Ð½Ð¾-Ð±ÐµÐ»Ð¾Ð¹ Ð²ÐµÑ€ÑÐ¸Ð¸ Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°.
\end{itemize}
ÐŸÑ€Ð¸Ð¼ÐµÑ€:
\end{RU}

\begin{verbatim}
\usepackage[gray]{churchslavonic}
\end{verbatim}

\begin{EN}
\subsection{Underscore}
The underscore symbol (\texttt{\textunderscore}, U+005F \textsc{Low Line})
 is a valid text symbol in Church Slavonic (it has roughly the same role
as the hyphen in English). The package \pkg{churchslavonic} redefines the
underscore in a way that it can be directly entered in text mode, for example:
\end{EN}
%
\begin{RU}
\subsection{Ð—Ð½Ð°Ðº Ð¿Ð¾Ð´Ñ‡ÐµÑ€ÐºÐ¸Ð²Ð°Ð½Ð¸Ñ}
Ð—Ð½Ð°Ðº Ð¿Ð¾Ð´Ñ‡ÐµÑ€ÐºÐ¸Ð²Ð°Ð½Ð¸Ñ (\texttt{\textunderscore}, U+005F \textsc{Low Line}))
Ð² Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¾Ð¼ ÑÐ·Ñ‹ÐºÐµ Ð¸Ð³Ñ€Ð°ÐµÑ‚ Ð¿Ñ€Ð¸Ð¼ÐµÑ€Ð½Ð¾ Ñ‚Ñƒ Ð¶Ðµ Ñ€Ð¾Ð»ÑŒ, Ñ‡Ñ‚Ð¾ Ð¸ Ð´ÐµÑ„Ð¸Ñ Ð² Ñ€ÑƒÑÑÐºÐ¾Ð¼.
ÐŸÐ°ÐºÐµÑ‚ \pkg{churchslavonic} Ð¿ÐµÑ€ÐµÐ¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÑÐµÑ‚ Ð·Ð½Ð°Ðº Ð¿Ð¾Ð´Ñ‡ÐµÑ€ÐºÐ¸Ð²Ð°Ð½Ð¸Ñ Ñ‚Ð°Ðº, Ñ‡Ñ‚Ð¾ ÐµÐ³Ð¾ Ð¼Ð¾Ð¶Ð½Ð¾
Ð½Ð°Ð±Ð¸Ñ€Ð°Ñ‚ÑŒ Ð¸ Ð² Ñ‚ÐµÐºÑÑ‚Ð¾Ð²Ð¾Ð¹ Ð¼Ð¾Ð´Ðµ, Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€:
\end{RU}
%
\begin{center}
\begin{churchslavonic}
\begin{tabular}{l}
ÐŸÐ¾ÑÐ»Ñ£ÌÐ´Ð¾Ð²Ð°Ð½Ñ–ÌˆÐµ Ð¼Ð¾Ð»ÐµÌÐ±Ð½Ð°Ð³Ñ¡ Ð¿Ñ£ÌÐ½Ñ–ÌˆÑ§ ÑÑ‚ÒƒÑ‹Ì‘Ð¼ÑŠ Ð¼Ñ‡ÒƒÐºÐ°Ð¼ÑŠ ÐºÒƒ_Ð³Ñ¡ Ð²Ñ£ÌÐºÐ°, \\
Ð²ÑŠ Ð¡Ð°ÌÐ½ÐºÑ‚ÑŠ_ÐŸÐµÑ‚ÐµÑ€Ð±ê™‹ÌÑ€Ð¶ÑÑ‚Ñ£Ð¹ Ð´ê™‹Ñ…Ð¾ÌÐ²Ð½Ñ£Ð¹ Ð°Ò†ÐºÐ°Ð´ÐµÌÐ¼Ñ–ÌˆÐ¸ \\
Ð½Ð°Ñ‡Ð°Ì‘Ð»ÑŒÑÑ‚Ð²Ð¾Ð²Ð°Ð²ÑˆÐ¸Ð¼ÑŠ, á²‚ÑƒÒ†Ñ‡Ð¸Ì‘Ð²ÑˆÐ¸Ð¼ÑŠ Ð¸Ò† á²‚ÑƒÒ†Ñ‡Ð¸Ì‘Ð²ÑˆÐ¸Ð¼ÑÑ§ \\
\end{tabular}
\end{churchslavonic}
\end{center}

\begin{EN}
\cuKinovar{Attention:} if you have an older version of the \pkg{fontspec} package installed on your system,
the redefined underscore symbol cannot be used in font names and font options in \pkg{fontspec} commands like
\cs{setXXXfont} and \cs{newfontfamily}.

Typically you need to set underscore as the hyphenation character for Church Slavonic fonts: \texttt{HyphenChar=_}.
With older versions of \pkg{fontspec} this will cause errors. This problem exists in \TeX\ \texttt{Live 2013} and in \pkg{fontspec v2.3c}.

We recommend upgrading your \TeX\ distribution to at least \TeX\ \texttt{Live 2015}. Alternatively you can selectively
upgrade the \pkg{fontspec} package to version \texttt{v2.4c} or better.

If upgrading is not an option, you can work around this problem by either specifying the hexadecimal code for the hyphenation
character: \texttt{HyphenChar="005F}, or by declaring all fonts before loading \pkg{churchslavonic}.
\end{EN}

\begin{RU}
\cuKinovar{Ð’Ð½Ð¸Ð¼Ð°Ð½Ð¸Ðµ:} ÐµÑÐ»Ð¸ Ñƒ Ð²Ð°Ñ ÑƒÑÑ‚Ð°Ð½Ð¾Ð²Ð»ÐµÐ½Ð° ÑÑ‚Ð°Ñ€Ð°Ñ Ð²ÐµÑ€ÑÐ¸Ñ Ð¿Ð°ÐºÐµÑ‚Ð° \pkg{fontspec},
Ð¿ÐµÑ€ÐµÐ¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÐµÐ½Ð½Ñ‹Ð¹ Ð·Ð½Ð°Ðº Ð¿Ð¾Ð´Ñ‡ÐµÑ€ÐºÐ¸Ð²Ð°Ð½Ð¸Ñ Ð½ÐµÐ»ÑŒÐ·Ñ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒ Ð¿Ñ€Ð¸ Ð·Ð°Ð´Ð°Ð½Ð¸Ð¸ Ð¸Ð¼ÐµÐ½ Ð¸ Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€Ð¾Ð² ÑˆÑ€Ð¸Ñ„Ñ‚Ð¾Ð² Ð² ÐºÐ¾Ð¼Ð°Ð½Ð´Ð°Ñ… \pkg{fontspec} Ñ‚Ð¸Ð¿Ð°
\cs{setXXXfont} Ð¸ \cs{newfontfamily}.

ÐžÐ±Ñ‹Ñ‡Ð½Ð¾ Ð´Ð»Ñ Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ñ… ÑˆÑ€Ð¸Ñ„Ñ‚Ð¾Ð² Ñ‚Ñ€ÐµÐ±ÑƒÐµÑ‚ÑÑ ÑƒÑÑ‚Ð°Ð½Ð¾Ð²Ð¸Ñ‚ÑŒ Ð¿Ð¾Ð´Ñ‡ÐµÑ€ÐºÐ¸Ð²Ð°Ð½Ð¸Ðµ ÐºÐ°Ðº ÑÐ¸Ð¼Ð²Ð¾Ð» Ð¿ÐµÑ€ÐµÐ½Ð¾ÑÐ°, ÑƒÐºÐ°Ð·Ð°Ð² Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€:
\texttt{HyphenChar=_}. Ð¡Ñ‚Ð°Ñ€Ñ‹Ðµ Ð²ÐµÑ€ÑÐ¸Ð¸ \pkg{fontspec} Ð²Ñ‹Ð´Ð°Ð´ÑƒÑ‚ Ð¾ÑˆÐ¸Ð±ÐºÑƒ.
Ð­Ñ‚Ð° Ð¿Ñ€Ð¾Ð±Ð»ÐµÐ¼Ð° Ð¿Ñ€Ð¸ÑÑƒÑ‚ÑÑ‚Ð²ÑƒÐµÑ‚ Ð² \TeX\ \texttt{Live 2013} Ð¸ Ð² \pkg{fontspec v2.3c}.

ÐœÑ‹ Ñ€ÐµÐºÐ¾Ð¼ÐµÐ½Ð´ÑƒÐµÐ¼ Ð¾Ð±Ð½Ð¾Ð²Ð¸Ñ‚ÑŒ ÑÐ¸ÑÑ‚ÐµÐ¼Ñƒ \TeX\ Ð´Ð¾ \TeX\ \texttt{Live 2015} Ð¸Ð»Ð¸ ÑÐ²ÐµÐ¶ÐµÐµ.
Ð˜Ð»Ð¸ Ð¶Ðµ Ð¾Ð±Ð½Ð¾Ð²Ð¸Ñ‚ÑŒ Ñ‚Ð¾Ð»ÑŒÐºÐ¾ Ð¿Ð°ÐºÐµÑ‚ \pkg{fontspec} Ð´Ð¾
Ð²ÐµÑ€ÑÐ¸Ð¸ \texttt{2.4c} Ð¸Ð»Ð¸ Ð±Ð¾Ð»ÐµÐµ Ð½Ð¾Ð²Ð¾Ð¹.

Ð•ÑÐ»Ð¸ Ð¶Ðµ Ð²Ñ‹ Ð½Ðµ Ð¼Ð¾Ð¶ÐµÑ‚Ðµ ÑƒÑÑ‚Ð°Ð½Ð¾Ð²Ð¸Ñ‚ÑŒ Ð¾Ð±Ð½Ð¾Ð²Ð»ÐµÐ½Ð¸Ñ, Ñ‚Ð¾ Ð¼Ð¾Ð¶Ð½Ð¾
Ð¾Ð±Ð¾Ð¹Ñ‚Ð¸ Ð¿Ñ€Ð¾Ð±Ð»ÐµÐ¼Ñƒ, ÑƒÐºÐ°Ð·Ð°Ð² ÑÐ¸Ð¼Ð²Ð¾Ð» Ð¿ÐµÑ€ÐµÐ½Ð¾ÑÐ° ÐºÐ°Ðº ÐºÐ¾Ð´ Ð² ÑˆÐµÑÑ‚Ð½Ð°Ð´Ñ†Ð°Ñ‚Ð¸Ñ€Ð¸Ñ‡Ð½Ð¾Ð¼ Ð¿Ñ€ÐµÐ´ÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ð¸:
\texttt{HyphenChar="005F}. Ð”Ñ€ÑƒÐ³Ð¾Ð¹ Ð¿Ð¾Ð´Ñ…Ð¾Ð´ --- ÑÑ‚Ð¾ Ð´ÐµÐºÐ»Ð°Ñ€Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ Ð²ÑÐµ ÑˆÑ€Ð¸Ñ„Ñ‚Ñ‹ Ð´Ð¾ Ð·Ð°Ð³Ñ€ÑƒÐ·ÐºÐ¸ Ð¿Ð°ÐºÐµÑ‚Ð° \pkg{churchslavonic}.
\end{RU}

\begin{EN}
\section{Numbers}

The Church Slavonic numbering system (Cyrillic numerals)
is based on Greek Ionian numerals and uses letters as digits.
For more information on the implementation, consult the appropriate section of \cite{UN41}.
\end{EN}

\begin{RU}
\section{Ð§Ð¸ÑÐ»Ð°}
Ð¡Ð¿Ð¾ÑÐ¾Ð± Ð·Ð°Ð¿Ð¸ÑÐ¸ Ñ‡Ð¸ÑÐµÐ» Ð² Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¾Ð¼ ÑÐ·Ñ‹ÐºÐµ (ÐºÐ¸Ñ€Ð¸Ð»Ð»Ð¸Ñ‡ÐµÑÐºÐ°Ñ Ñ†Ð¸Ñ„Ð¸Ñ€ÑŒ)
Ð¾ÑÐ½Ð¾Ð²Ñ‹Ð²Ð°ÐµÑ‚ÑÑ Ð½Ð° Ð´Ñ€ÐµÐ²Ð½ÐµÐ³Ñ€ÐµÑ‡ÐµÑÐºÐ¾Ð¼ Ð¸ Ð²
ÐºÐ°Ñ‡ÐµÑÑ‚Ð²Ðµ Ñ†Ð¸Ñ„Ñ€ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ Ð±ÑƒÐºÐ²Ñ‹.
Ð—Ð° Ð¿Ð¾Ð´Ñ€Ð¾Ð±Ð½Ð¾ÑÑ‚ÑÐ¼Ð¸ Ð¾Ñ‚ÑÑ‹Ð»Ð°ÐµÐ¼ Ð¸Ð½Ñ‚ÐµÑ€ÐµÑÑƒÑŽÑ‰ÐµÐ³Ð¾ÑÑ Ñ‡Ð¸Ñ‚Ð°Ñ‚ÐµÐ»Ñ Ðº
ÑÐ¾Ð¾Ñ‚Ð²ÐµÑ‚ÑÑ‚Ð²ÑƒÑŽÑ‰ÐµÐ¹ Ð³Ð»Ð°Ð²Ðµ \cite{UN41}.
\end{RU}

\begin{EN}
\subsection{\cs{cuNum}}
Use this command to typeset a Cyrillic numeral.
The command takes a single argument that should expand to a number.
\end{EN}

\begin{RU}
\subsection{\cs{cuNum}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿ÐµÑ‡Ð°Ñ‚Ð°ÐµÑ‚ Ñ‡Ð¸ÑÐ»Ð¾ ÐºÐ¸Ñ€Ð¸Ð»Ð»Ð¸Ñ‡ÐµÑÐºÐ¾Ð¹ Ñ†Ð¸Ñ„Ð¸Ñ€ÑŒÑŽ.
ÐžÐ½Ð° Ð¿Ñ€Ð¸Ð½Ð¸Ð¼Ð°ÐµÑ‚ ÐµÐ´Ð¸Ð½ÑÑ‚Ð²ÐµÐ½Ð½Ñ‹Ð¹ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚. ÐÑ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ð¾Ð¼ Ð¼Ð¾Ð¶ÐµÑ‚ Ð±Ñ‹Ñ‚ÑŒ Ñ‚ÐµÐºÑÑ‚ Ð¸Ð»Ð¸
ÐºÐ¾Ð¼Ð°Ð½Ð´Ð½Ð°Ñ Ð¿Ð¾ÑÐ»ÐµÐ´Ð¾Ð²Ð°Ñ‚ÐµÐ»ÑŒÐ½Ð¾ÑÑ‚ÑŒ. Ð•Ð´Ð¸Ð½ÑÑ‚Ð²ÐµÐ½Ð½Ð¾Ðµ ÑƒÑÐ»Ð¾Ð²Ð¸Ðµ --- Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚ Ð´Ð¾Ð»Ð¶ÐµÐ½ Ñ€Ð°ÑÐºÑ€Ñ‹Ñ‚ÑŒÑÑ Ð² Ñ‡Ð¸ÑÐ»Ð¾.
\end{RU}

\begin{center}
\begin{churchslavonic}
\begin{tabular}{| l | l |}
\hline
\verb+\cuNum{1}+ &amp; \cuNum{1} \\
\verb+\cuNum{12}+ &amp; \cuNum{12} \\
\verb+\cuNum{123}+ &amp; \cuNum{123} \\
\verb+\cuNum{1234}+ &amp; \cuNum{1234} \\
\verb+\cuNum{10345}+ &amp; \cuNum{10345} \\
\verb+\cuNum{12345}+ &amp; \cuNum{12345} \\
\verb+\cuNum{123456}+ &amp; \cuNum{123456} \\
\verb+\cuNum{800456}+ &amp; \cuNum{800456} \\
\verb+\cuNum{1234567}+ &amp; \cuNum{1234567} \\
\verb+\cuNum{1500567}+ &amp; \cuNum{1500567} \\
\verb+\cuNum{12345678}+ &amp; \cuNum{12345678} \\
\verb+\cuNum{123456789}+ &amp; \cuNum{123456789} \\
\hline
\end{tabular}
\end{churchslavonic}
\end{center}


\begin{EN}
\section{Dates}
\end{EN}

\begin{RU}
\section{Ð”Ð°Ñ‚Ñ‹}
\end{RU}

\begin{center}
\begin{churchslavonic}
\begin{tabular}[]{ | l | l | }
\hline
\verb+\cuDate{2016-4-21}+ &amp; \cuDate{2016-4-21} \\
\verb+\cuDateJulian{2016-4-21}+ &amp; \cuDateJulian{2016-4-21} \\
\verb+\cuDate{\cuToday}+ &amp; \cuDate{\cuToday} \\
\hline
\end{tabular}
\end{churchslavonic}
\end{center}

\begin{EN}
\subsection{\cs{cuDate}}
This command formats the date (according to the current format).
The argument is a triplet of numbers \texttt{YYYY-MM-DD} specifying
the date. The output will be something like this: \textchurchslavonic{\cuDate{2016-04-22}}.

Note that \texttt{YYYY-MM-DD} values are not being normalized or interpreted in any way. Thus, it is totally fine to
call \verb+\cuDate{2016-4-32}+ even though April 32 is not a valid date. It will be formatted and printed as April 32. This
makes it possible to use this macro in a phrase like ``the date \verb+\cuDate{2016-4-32}+ is not a valid date in any calendar''.

However, if your date format uses \cs{cuDOW} (day of the week) or \cs{cuYEARAM} (year Anno Mundi), the later quantities are computed by
interpreting the date as a Gregorian calendar date. In this case, if the input date is not a valid date, it will be normalized via extrapolation.
For example, April 32 will be interpreted as May 2 for the purpose of determining values of the day of the week and year Anno Mundi.

If your format uses \cs{cuDOW} or \cs{cuYEARAM}, and you specify a date according to the Julian, not Gregorian, calendar, you must use \cs{cuDateJulian} to
correctly format days of the week and year Anno Mundi.

The best practice is to always use \cs{cuDate} with Gregorian calendar dates and use \cs{cuDateJulian} with Julian calendar dates regardless
of the current date format. This way you can switch the date formatting style without worrying about getting the wrong output.

\subsection{\cs{cuDateJulian}}
Formats the date, just like \cs{cuDate} does, but the argument is interpreted as a date on the Julian calendar (``old style'') instead of the Gregorian calendar.
This makes a difference only if your format is using symbolic names \cs{cuDOW} and/or \cs{cuYEARAM}.
\end{EN}

\begin{RU}

\subsection{\cs{cuDate}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€ÑƒÐµÑ‚ Ð´Ð°Ñ‚Ñƒ (Ð² ÑÐ¾Ð¾Ñ‚Ð²ÐµÑ‚ÑÑ‚Ð²Ð¸Ð¸ Ñ Ñ‚ÐµÐºÑƒÑ‰Ð¸Ð¼ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¾Ð¼). ÐÑ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚ Ð´Ð¾Ð»Ð¶ÐµÐ½ Ð¸Ð¼ÐµÑ‚ÑŒ Ð²Ð¸Ð´ \texttt{YYYY-MM-DD}. Ð&nbsp;ÐµÐ·ÑƒÐ»ÑŒÑ‚Ð°Ñ‚
Ð¼Ð¾Ð¶ÐµÑ‚ Ð²Ñ‹Ð³Ð»ÑÐ´ÐµÑ‚ÑŒ Ð¿Ñ€Ð¸Ð¼ÐµÑ€Ð½Ð¾ Ñ‚Ð°Ðº: \textchurchslavonic{\cuDate{2016-04-22}}.

ÐžÑ‚Ð¼ÐµÑ‚Ð¸Ð¼, Ñ‡Ñ‚Ð¾ Ð·Ð½Ð°Ñ‡ÐµÐ½Ð¸Ðµ Ð´Ð°Ñ‚Ñ‹ Ð½Ð¸ÐºÐ¾ÐµÐ¼ Ð¾Ð±Ñ€Ð°Ð·Ð¾Ð¼ Ð½Ðµ Ð¸Ð½Ñ‚ÐµÑ€Ð¿Ñ€ÐµÑ‚Ð¸Ñ€ÑƒÐµÑ‚ÑÑ Ð¸ Ð½Ðµ Ð½Ð¾Ñ€Ð¼Ð°Ð»Ð¸Ð·Ð¸Ñ€ÑƒÐµÑ‚ÑÑ. ÐŸÐ¾ÑÑ‚Ð¾Ð¼Ñƒ Ð¼Ð¾Ð¶Ð½Ð¾ Ð²Ñ‹Ð·Ñ‹Ð²Ð°Ñ‚ÑŒ Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ñƒ Ð¸ Ñ
Ð½ÐµÐ²Ð¾Ð·Ð¼Ð¾Ð¶Ð½Ñ‹Ð¼Ð¸ Ð´Ð°Ñ‚Ð°Ð¼Ð¸, Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€ 32 Ð°Ð¿Ñ€ÐµÐ»Ñ --- Ñ‚Ð°ÐºÐ°Ñ Ð´Ð°Ñ‚Ð° Ð±ÑƒÐ´ÐµÑ‚ Ð¾Ñ‚Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð° ÐºÐ°Ðº 32 Ð°Ð¿Ñ€ÐµÐ»Ñ. Ð¢Ð°Ðº Ñ‡Ñ‚Ð¾ ÐºÐ¾Ð¼Ð°Ð½Ð´Ñƒ \cs{cuDate} Ð¼Ð¾Ð¶Ð½Ð¾
Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒ Ð´Ð»Ñ Ð½Ð°Ð±Ð¾Ñ€Ð° Ñ„Ñ€Ð°Ð· Ð²Ñ€Ð¾Ð´Ðµ &lt;&lt;Ð´Ð°Ñ‚Ð° \verb+\cuDate{2016-04-32}+ Ð½Ðµ ÑÑƒÑ‰ÐµÑÑ‚Ð²ÑƒÐµÑ‚ Ð½Ð¸ Ð² Ð¾Ð´Ð½Ð¾Ð¼ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€Ðµ&gt;&gt;.

ÐžÐ´Ð½Ð°ÐºÐ¾, ÐµÑÐ»Ð¸ Ð²Ñ‹ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚Ðµ ÑÐ²Ð¾Ð¹ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ð´Ð°Ñ‚Ñ‹ Ð¸ Ð² ÑÑ‚Ð¾Ð¼ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ðµ Ð·Ð°Ð´ÐµÐ¹ÑÑ‚Ð²Ð¾Ð²Ð°Ð½Ñ‹ ÑÐ¸Ð¼Ð²Ð¾Ð»Ð¸Ñ‡ÐµÑÐºÐ¸Ðµ Ð¿ÐµÑ€ÐµÐ¼ÐµÐ½Ð½Ñ‹Ðµ \cs{cuDOW} (Ð´ÐµÐ½ÑŒ Ð½ÐµÐ´ÐµÐ»Ð¸)
Ð¸Ð»Ð¸ \cs{cuYEARAM} (Ð³Ð¾Ð´ Ð¾Ñ‚ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÐ½Ð¸Ñ Ð¼Ð¸Ñ€Ð°), Ñ‚Ð¾ Ð·Ð½Ð°Ñ‡ÐµÐ½Ð¸Ñ ÑÑ‚Ð¸Ñ… Ð¿ÐµÑ€ÐµÐ¼ÐµÐ½Ð½Ñ‹Ñ… Ð±ÑƒÐ´ÑƒÑ‚ Ð²Ñ‹Ñ‡Ð¸ÑÐ»ÐµÐ½Ñ‹ Ð¸ÑÑ…Ð¾Ð´Ñ Ð¸Ð· Ð·Ð°Ð´Ð°Ð½Ð½Ð¾Ð¹ Ð´Ð°Ñ‚Ñ‹ --- Ð¸ Ð´Ð°Ñ‚Ð° Ð¸Ð½Ñ‚ÐµÑ€Ð¿Ñ€ÐµÑ‚Ð¸Ñ€ÑƒÐµÑ‚ÑÑ
ÐºÐ°Ðº Ð´Ð°Ñ‚Ð° Ð¿Ð¾ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ (&lt;&lt;Ð½Ð¾Ð²Ð¾Ð¼Ñƒ ÑÑ‚Ð¸Ð»ÑŽ&gt;&gt;). Ð’ ÑÑ‚Ð¾Ð¼ ÑÐ»ÑƒÑ‡Ð°Ðµ, Ð½ÐµÐ²Ð¾Ð·Ð¼Ð¾Ð¶Ð½Ñ‹Ðµ Ð´Ð°Ñ‚Ñ‹ Ð±ÑƒÐ´ÑƒÑ‚ Ð½Ð¾Ñ€Ð¼Ð°Ð»Ð¸Ð·Ð¾Ð²Ð°Ð½Ñ‹ Ð¼ÐµÑ‚Ð¾Ð´Ð¾Ð¼ ÑÐºÑÑ‚Ñ€Ð°Ð¿Ð¾Ð»ÑÑ†Ð¸Ð¸. ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, 32 Ð°Ð¿Ñ€ÐµÐ»Ñ
Ð±ÑƒÐ´ÐµÑ‚ Ð¸Ð½Ñ‚ÐµÑ€Ð¿Ñ€ÐµÑ‚Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð¾ ÐºÐ°Ðº 2 Ð¼Ð°Ñ Ð´Ð»Ñ Ñ†ÐµÐ»ÐµÐ¹ Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ñ Ð´Ð½Ñ Ð½ÐµÐ´ÐµÐ»Ð¸ Ð¸ Ð³Ð¾Ð´Ð° Ð¾Ñ‚ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÐ½Ð¸Ñ Ð¼Ð¸Ñ€Ð°.

Ð•ÑÐ»Ð¸ Ð²Ð°Ñˆ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ Ð´ÐµÐ½ÑŒ Ð½ÐµÐ´ÐµÐ»Ð¸ (\cs{cuDOW}) Ð¸Ð»Ð¸ Ð³Ð¾Ð´ Ð¾Ñ‚ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÐ½Ð¸Ñ Ð¼Ð¸Ñ€Ð° (\cs{cuYEARAM}), Ð¸ Ð²Ñ‹ ÑƒÐºÐ°Ð·Ñ‹Ð²Ð°ÐµÑ‚Ðµ Ð´Ð°Ñ‚Ñƒ Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ (&lt;&lt;ÑÑ‚Ð°Ñ€Ð¾Ð¼Ñƒ ÑÑ‚Ð¸Ð»ÑŽ&gt;&gt;),
Ð²Ñ‹ Ð´Ð¾Ð»Ð¶Ð½Ñ‹ Ð²Ð¼ÐµÑÑ‚Ð¾ \cs{cuDate} Ð¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒÑÑ Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð¾Ð¹ \cs{cuDateJulian} Ð´Ð»Ñ Ð¿Ñ€Ð°Ð²Ð¸Ð»ÑŒÐ½Ð¾Ð¹ Ð¾Ð±Ñ€Ð°Ð±Ð¾Ñ‚ÐºÐ¸ Ð´Ð½Ñ Ð½ÐµÐ´ÐµÐ»Ð¸ Ð¸ Ð³Ð¾Ð´Ð° Ð¾Ñ‚ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÐ½Ð¸Ñ Ð¼Ð¸Ñ€Ð°.

Ð›ÑƒÑ‡ÑˆÐµ Ð²ÑÐµÐ³Ð¾ Ð²ÑÐµÐ³Ð´Ð° Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒ \cs{cuDate} Ð´Ð»Ñ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð¸Ñ Ð´Ð°Ñ‚ Ð¿Ð¾ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ Ð¸ Ð²ÑÐµÐ³Ð´Ð° Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒ \cs{cuDateJulian} Ð´Ð»Ñ
Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð¸Ñ Ð´Ð°Ñ‚ Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ --- Ð²Ð½Ðµ Ð·Ð°Ð²Ð¸ÑÐ¸Ð¼Ð¾ÑÑ‚Ð¸ Ð¾Ñ‚ Ð·Ð½Ð°Ñ‡ÐµÐ½Ð¸Ñ Ñ‚ÐµÐºÑƒÑ‰ÐµÐ³Ð¾ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð°. Ð¢Ð°ÐºÐ¸Ð¼ Ð¾Ð±Ñ€Ð°Ð·Ð¾Ð¼ Ð²Ñ‹ Ð¼Ð¾Ð¶ÐµÑ‚Ðµ Ð²Ð¿Ð¾ÑÐ»ÐµÐ´ÑÑ‚Ð²Ð¸Ð¸ Ð¸Ð·Ð¼ÐµÐ½Ð¸Ñ‚ÑŒ
Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ð´Ð°Ñ‚Ñ‹ (Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, Ð´Ð¾Ð±Ð°Ð²Ð¸Ð² Ð² Ð½ÐµÐ³Ð¾ Ð´ÐµÐ½ÑŒ Ð½ÐµÐ´ÐµÐ»Ð¸) Ð¸ Ñ€ÐµÐ·ÑƒÐ»ÑŒÑ‚Ð°Ñ‚ Ð¾ÑÑ‚Ð°Ð½ÐµÑ‚ÑÑ Ð¿Ñ€Ð°Ð²Ð¸Ð»ÑŒÐ½Ñ‹Ð¼.

\subsection{\cs{cuDateJulian}}
Ð¤Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€ÑƒÐµÑ‚ Ð´Ð°Ñ‚Ñƒ Ð² ÑÐ¾Ð¾Ñ‚Ð²ÐµÑ‚ÑÑ‚Ð²Ð¸Ð¸ Ñ Ñ‚ÐµÐºÑƒÑ‰Ð¸Ð¼ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¾Ð¼ Ð¿Ð¾Ð´Ð¾Ð±Ð½Ð¾ ÐºÐ¾Ð¼Ð°Ð½Ð´Ðµ \cs{cuDate}. ÐžÑ‚Ð»Ð¸Ñ‡Ð¸Ðµ Ð·Ð°ÐºÐ»ÑŽÑ‡Ð°ÐµÑ‚ÑÑ Ð² Ñ‚Ð¾Ð¼, Ñ‡Ñ‚Ð¾ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚
Ð¸Ð½Ñ‚ÐµÑ€Ð¿Ñ€ÐµÑ‚Ð¸Ñ€ÑƒÐµÑ‚ÑÑ ÐºÐ°Ðº Ð´Ð°Ñ‚Ð° Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ, Ð° Ð½Ðµ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ. Ð­Ñ‚Ð¾ Ð¸Ð¼ÐµÐµÑ‚ Ð·Ð½Ð°Ñ‡ÐµÐ½Ð¸Ðµ Ñ‚Ð¾Ð»ÑŒÐºÐ¾ ÐµÑÐ»Ð¸ Ñ‚ÐµÐºÑƒÑ‰Ð¸Ð¹ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ð´Ð°Ñ‚Ñ‹
Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ ÑÐ¸Ð¼Ð²Ð¾Ð»Ð¸Ñ‡ÐµÑÐºÐ¸Ðµ Ð¸Ð¼ÐµÐ½Ð° \cs{cuDOW} (Ð´ÐµÐ½ÑŒ Ð½ÐµÐ´ÐµÐ»Ð¸) Ð¸Ð»Ð¸ \cs{cuYEARAM} (Ð³Ð¾Ð´ Ð¾Ñ‚ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÐ½Ð¸Ñ Ð¼Ð¸Ñ€Ð°).
\end{RU}

\begin{EN}
\subsection{\cs{cuDefineDateFormat}}
This command allows you to define your own date format.
It does not change how \cs{cuDate} formats its output (for that, use \cs{cuUseDateFormat}).
Example:
\end{EN}

\begin{RU}
\subsection{\cs{cuDefineDateFormat}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÑÐµÑ‚ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ð´Ð°Ñ‚Ñ‹. ÐžÐ½Ð° Ð½Ð¸ÐºÐ°Ðº Ð½Ðµ Ð²Ð»Ð¸ÑÐµÑ‚ Ð½Ð° Ñ‚Ð¾, ÐºÐ°Ðº \cs{cuDate} Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€ÑƒÐµÑ‚ ÑÐ²Ð¾Ð¹ Ð²Ñ‹Ð²Ð¾Ð´ (Ð´Ð»Ñ ÑÑ‚Ð¾Ð³Ð¾ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ \cs{cuUseDateFormat}).
ÐŸÑ€Ð¸Ð¼ÐµÑ€:
\end{RU}

\begin{center}
\begin{churchslavonic}
\begin{tabular}{l}
\verb+\cuDefineDateFormat{long}{%+\\
\verb+  \cuDayName{\cuDOW},+\\
\verb+  \cuNum{\cuDAY}\textunderscore +Ð³Ñ¡\verb+~%+\\
\verb+  \cuMonthName{\cuMONTH},~%+\\
\verb+  +Ð»Ñ£ÌÑ‚Ð° Ñ¿ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÌÐ½Ñ–ÌˆÑ§ Ð¼Ñ–ÌÑ€Ð°\verb+~%+\\
\verb+  \cuNum{\cuYEARAM}%+\\
\verb+}+\\
\end{tabular}
\end{churchslavonic}
\end{center}
%
\begin{EN}
defines a format with name \texttt{long}. If we use this format to print the same date as before, we will get:
\textchurchslavonic{\cuUseDateFormat{long}\cuDate{2016-04-22}}.
\end{EN}
%
\begin{RU}
Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÑÐµÑ‚ Ð½Ð¾Ð²Ñ‹Ð¹ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ñ Ð¸Ð¼ÐµÐ½ÐµÐ¼ \texttt{long}. Ð•ÑÐ»Ð¸ Ð¼Ñ‹ Ð½Ð°Ð¿ÐµÑ‡Ð°Ñ‚Ð°ÐµÐ¼ Ð´Ð°Ñ‚Ñƒ ÑÑ‚Ð¸Ð¼ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¾Ð¼, Ñ‚Ð¾ Ð¿Ð¾Ð»ÑƒÑ‡Ð¸Ð¼:
\textchurchslavonic{\cuUseDateFormat{long}\cuDate{2016-04-22}}.
\end{RU}

\begin{EN}
The following symbolic names can be used when formatting the date:
\begin{itemize}
\item \cs{cuYEAR} --- the year part of a date (a number, like \texttt{2016})
\item \cs{cuYEARAM}\footnotemark[1] --- the year Anno Mundi, that is, since the creation of the world accoding to the Byzantine reckoning (aka ``the Byzantine era''; a number, like \texttt{7525})
\item \cs{cuMONTH} --- the month part of a date (a number from 1 to 12, with January set to 1)
\item \cs{cuDAY} --- the day of the month
\item \cs{cuDOW}\footnotemark[1] --- the day of the week (number from 0 to 6, where 0 means ``Sunday'')
\footnotetext[1]{If your format uses this value, make sure that you format the date with the correct macro:
    you must use \cs{cuDate} for dates on the Gregorian calendar and
    \cs{cuDateJulian} for dates on the Julian calendar.}
\footnotetext[2]{See \url{https://en.wikipedia.org/wiki/Indiction}.}
\item \cs{cuINDICTION} --- the indiction\footnotemark[2] (a number from 1 to 15)
\end{itemize}

\end{EN}

\begin{RU}
ÐŸÑ€Ð¸ Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ð¸ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð° Ð¼Ð¾Ð¶Ð½Ð¾ Ð¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒÑÑ ÑÐ»ÐµÐ´ÑƒÑŽÑ‰Ð¸Ð¼Ð¸ ÑÐ¸Ð¼Ð²Ð¾Ð»Ð¸Ñ‡ÐµÑÐºÐ¸Ð¼Ð¸ Ð¸Ð¼ÐµÐ½Ð°Ð¼Ð¸:
\begin{itemize}
\item \cs{cuYEAR} --- Ð³Ð¾Ð´ (Ñ‡Ð¸ÑÐ»Ð¾, Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€ \texttt{2016})
\item \cs{cuYEARAM}\footnotemark[1] --- Ð³Ð¾Ð´ Ð¾Ñ‚ ÑÐ¾Ñ‚Ð²Ð¾Ñ€ÐµÐ½Ð¸Ñ Ð¼Ð¸Ñ€Ð° Ð¿Ð¾ Ð²Ð¸Ð·Ð°Ð½Ñ‚Ð¸Ð¹ÑÐºÐ¾Ð¼Ñƒ Ð»ÐµÑ‚Ð¾Ð¸ÑÑ‡ÐµÑÐ»ÐµÐ½Ð¸ÑŽ (Ñ‡Ð¸ÑÐ»Ð¾, Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€ \texttt{7525}).
\item \cs{cuMONTH} --- Ð¼ÐµÑÑÑ† (Ñ‡Ð¸ÑÐ»Ð¾ Ð¾Ñ‚ 1 Ð´Ð¾ 12, Ð³Ð´Ðµ 1 Ð¾Ð·Ð½Ð°Ñ‡Ð°ÐµÑ‚ &lt;&lt;ÑÐ½Ð²Ð°Ñ€ÑŒ&gt;&gt;)
\item \cs{cuDAY} --- Ð´ÐµÐ½ÑŒ Ð¼ÐµÑÑÑ†Ð°
\item \cs{cuDOW}\footnotemark[1] --- Ð´ÐµÐ½ÑŒ Ð½ÐµÐ´ÐµÐ»Ð¸ (Ñ‡Ð¸ÑÐ»Ð¾ Ð¾Ñ‚ 0 to 6, Ð³Ð´Ðµ 0 Ð¾Ð·Ð½Ð°Ñ‡Ð°ÐµÑ‚ &lt;&lt;Ð²Ð¾ÑÐºÑ€ÐµÑÐµÐ½ÑŒÐµ&gt;&gt;)
\item \cs{cuINDICTION} --- Ð¸Ð½Ð´Ð¸ÐºÑ‚\footnotemark[2] (Ñ‡Ð¸ÑÐ»Ð¾ Ð¾Ñ‚ 1 Ð´Ð¾ 15)
\footnotetext[1]{Ð•ÑÐ»Ð¸ Ð²Ð°Ñˆ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚
    Ð¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ ÑÑ‚Ð¸Ð¼ Ð·Ð½Ð°Ñ‡ÐµÐ½Ð¸ÐµÐ¼, Ð²Ñ‹ Ð´Ð¾Ð»Ð¶Ð½Ñ‹ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ Ð´Ð°Ñ‚Ñƒ Ð¿Ñ€Ð°Ð²Ð¸Ð»ÑŒÐ½Ð¾Ð¹ Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð¾Ð¹: \cs{cuDate}
    Ð´Ð»Ñ Ð´Ð°Ñ‚ Ð¿Ð¾ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ Ð¸ \cs{cuDateJulian} Ð´Ð»Ñ Ð´Ð°Ñ‚ Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ.}
\footnotetext[2]{Ð¡Ð¼.~\url{https://ru.wikipedia.org/wiki/\%D0\%98\%D0\%BD\%D0\%B4\%D0\%B8\%D0\%BA\%D1\%82}}
\end{itemize}
\end{RU}

\begin{EN}
\subsection{\cs{cuUseDateFormat}}
This command sets the date format to be used by the subsequent \cs{cuDate} and \cs{cuDateJulian}.

\subsection{\cs{cuMonthName}}
This command expands a numeric argument (month number) into textual representation. It is typically used when defining a date format.
For example, a date format named \texttt{default} is defined as:
\end{EN}

\begin{RU}
\subsection{\cs{cuUseDateFormat}}
ÐœÐ°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° ÑƒÑÑ‚Ð°Ð½Ð°Ð²Ð»Ð¸Ð²Ð°ÐµÑ‚ Ð¸Ð¼Ñ Ñ‚ÐµÐºÑƒÑ‰ÐµÐ³Ð¾ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð° Ð´Ð°Ñ‚Ñ‹. Ð­Ñ‚Ð¾Ñ‚ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ð±ÑƒÐ´ÐµÑ‚ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒÑÑ Ð¿Ñ€Ð¸ Ð¿Ð¾ÑÐ»ÐµÐ´ÑƒÑŽÑ‰Ð¸Ñ… Ð²Ñ‹Ð·Ð¾Ð²Ð°Ñ… Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´
\cs{cuDate} Ð¸ \cs{cuDateJulian}.

\subsection{\cs{cuMonthName}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ñ€Ð°ÑÐºÑ€Ñ‹Ð²Ð°ÐµÑ‚ Ñ‡Ð¸ÑÐ»Ð¾Ð²Ð¾Ð¹ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚ Ð² Ñ‚ÐµÐºÑÑ‚Ð¾Ð²Ð¾Ðµ Ð¿Ñ€ÐµÐ´ÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ðµ Ð¼ÐµÑÑÑ†Ð°. ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¾Ð±Ñ‹Ñ‡Ð½Ð¾ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð¿Ñ€Ð¸ Ð·Ð°Ð´Ð°Ð½Ð¸Ð¸ Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚Ð°
Ð´Ð°Ñ‚Ñ‹. ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, Ñ„Ð¾Ñ€Ð¼Ð°Ñ‚ Ñ Ð¸Ð¼ÐµÐ½ÐµÐ¼ \texttt{default} Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÐµÐ½ Ñ‚Ð°Ðº:
\end{RU}
%
\begin{center}
\begin{churchslavonic}
\begin{tabular}{l}
\verb+\cuDefineDateFormat{default}{%+\\
\verb+  \cuNum{\cuDAY}~\cuMonthName{\cuMONTH},%+\\
\verb+  ~+Ð»Ñ£ÌÑ‚Ð°\verb+~\cuNum{\cuYEAR}%+\\
\verb+}%+\\
\end{tabular}
\end{churchslavonic}
\end{center}

\begin{EN}
\subsection{\cs{cuDayName}}
Expands a numeric argument into a textual representation of the day of the week in the nominative case.

\subsection{\cs{cuDayNameAccusative}}
Expands a numeric argument into a textual representation of the day of the week in the accusative case.

\subsection{\cs{cuToday}}
This macro expands to a triplet \texttt{YYYY-MM-DD}. The date is generated according to the Gregorian calendar.

\subsection{\cs{cuTodayJulian}}
This macro expands to a triplet \texttt{YYYY-MM-DD}. The date is generated according to the Julian calendar.

It is a shortcut for \verb+\cuAsJulian{\cuToday}+.

\subsection{\cs{cuAsJulian}}
Converts a date on the Gregorian calendar to a date on the Julian calendar. Input and output use numeric triplet format \texttt{YYYY-MM-DD}.

Useful when the same date needs to be formatted both according to the Gregorian and Julian calendars.

\subsection{\cs{cuAsGregorian}}
Converts a date according to the Julian calendar to a date according to the Gregorian calendar. Input and output use numeric triplet format \texttt{YYYY-MM-DD}.

\end{EN}

\begin{RU}
\subsection{\cs{cuDayName}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ñ€Ð°ÑÐºÑ€Ñ‹Ð²Ð°ÐµÑ‚ Ñ‡Ð¸ÑÐ»Ð¾Ð²Ð¾Ð¹ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚ Ð² Ñ‚ÐµÐºÑÑ‚Ð¾Ð²Ð¾Ðµ Ð¿Ñ€ÐµÐ´ÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ðµ Ð´Ð½Ñ Ð½ÐµÐ´ÐµÐ»Ð¸ Ð² Ð¸Ð¼ÐµÐ½Ð¸Ñ‚ÐµÐ»ÑŒÐ½Ð¾Ð¼ Ð¿Ð°Ð´ÐµÐ¶Ðµ.

\subsection{\cs{cuDayNameAccusative}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ñ€Ð°ÑÐºÑ€Ñ‹Ð²Ð°ÐµÑ‚ Ñ‡Ð¸ÑÐ»Ð¾Ð²Ð¾Ð¹ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚ Ð² Ñ‚ÐµÐºÑÑ‚Ð¾Ð²Ð¾Ðµ Ð¿Ñ€ÐµÐ´ÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ðµ Ð´Ð½Ñ Ð½ÐµÐ´ÐµÐ»Ð¸ Ð² Ð²Ð¸Ð½Ð¸Ñ‚ÐµÐ»ÑŒÐ½Ð¾Ð¼ Ð¿Ð°Ð´ÐµÐ¶Ðµ.

\subsection{\cs{cuToday}}
Ð­Ñ‚Ð° Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° Ñ€Ð°ÑÐºÑ€Ñ‹Ð²Ð°ÐµÑ‚ÑÑ Ð² Ñ‚ÐµÐºÑƒÑ‰ÑƒÑŽ Ð´Ð°Ñ‚Ñƒ Ð² Ð²Ð¸Ð´Ðµ Ñ‚Ñ€Ð¸Ð¿Ð»ÐµÑ‚Ð° \texttt{YYYY-MM-DD}. Ð”Ð°Ñ‚Ð° Ð²Ñ‹Ð²Ð¾Ð´Ð¸Ñ‚ÑÑ Ð¿Ð¾ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¸Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ (&lt;&lt;Ð½Ð¾Ð²Ð¾Ð¼Ñƒ ÑÑ‚Ð¸Ð»ÑŽ&gt;&gt;).

\subsection{\cs{cuTodayJulian}}
Ð­Ñ‚Ð° Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° Ñ€Ð°ÑÐºÑ€Ñ‹Ð²Ð°ÐµÑ‚ÑÑ Ð² Ñ‚ÐµÐºÑƒÑ‰ÑƒÑŽ Ð´Ð°Ñ‚Ñƒ Ð² Ð²Ð¸Ð´Ðµ Ñ‚Ñ€Ð¸Ð¿Ð»ÐµÑ‚Ð° \texttt{YYYY-MM-DD}. Ð”Ð°Ñ‚Ð° Ð²Ñ‹Ð²Ð¾Ð´Ð¸Ñ‚ÑÑ Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¸Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ (&lt;&lt;ÑÑ‚Ð°Ñ€Ð¾Ð¼Ñƒ ÑÑ‚Ð¸Ð»ÑŽ&gt;&gt;).

ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿Ñ€Ð¾ÑÑ‚Ð¾ Ñ€Ð°ÑÐºÑ€Ñ‹Ð²Ð°ÐµÑ‚ÑÑ Ð²:  \verb+\cuAsJulian{\cuToday}+.

\subsection{\cs{cuAsJulian}}
ÐŸÑ€ÐµÐ¾Ð±Ñ€Ð°Ð·ÑƒÐµÑ‚ Ð´Ð°Ñ‚Ñƒ Ð¿Ð¾ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ Ð² Ð´Ð°Ñ‚Ñƒ Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ.
Ð”Ð°Ñ‚Ð° Ð·Ð°Ð´Ð°ÐµÑ‚ÑÑ Ð¸ Ð²Ñ‹Ð²Ð¾Ð´Ð¸Ñ‚ÑÑ ÐºÐ°Ðº Ñ‡Ð¸ÑÐ»Ð¾Ð²Ð¾Ð¹ Ñ‚Ñ€Ð¸Ð¿Ð»ÐµÑ‚ \texttt{YYYY-MM-DD}.

ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿Ð¾Ð»ÐµÐ·Ð½Ð°, ÐºÐ¾Ð³Ð´Ð° Ð¾Ð´Ð½Ñƒ Ð¸ Ñ‚Ñƒ Ð¶Ðµ Ð´Ð°Ñ‚Ñƒ Ð½Ð°Ð´Ð¾ Ð½Ð°Ð¿Ð¸ÑÐ°Ñ‚ÑŒ Ð¸ Ð¿Ð¾ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ, Ð¸ Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ.

\subsection{\cs{cuAsGregorian}}
ÐŸÑ€ÐµÐ¾Ð±Ñ€Ð°Ð·ÑƒÐµÑ‚ Ð´Ð°Ñ‚Ñƒ Ð¿Ð¾ ÑŽÐ»Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ Ð² Ð´Ð°Ñ‚Ñƒ Ð¿Ð¾ Ð³Ñ€Ð¸Ð³Ð¾Ñ€Ð¸Ð°Ð½ÑÐºÐ¾Ð¼Ñƒ ÐºÐ°Ð»ÐµÐ½Ð´Ð°Ñ€ÑŽ. Ð”Ð°Ñ‚Ð° Ð·Ð°Ð´Ð°ÐµÑ‚ÑÑ Ð¸ Ð²Ñ‹Ð²Ð¾Ð´Ð¸Ñ‚ÑÑ ÐºÐ°Ðº Ñ‡Ð¸ÑÐ»Ð¾Ð²Ð¾Ð¹ Ñ‚Ñ€Ð¸Ð¿Ð»ÐµÑ‚ \texttt{YYYY-MM-DD}.

\end{RU}

\begin{EN}
\section{Kinovar}
Printed and hand-written Church Slavonic texts often use color to highlight sectional
and paragraph structure and to indicate liturgical rubrics, section names, comments,
and marginal notes. The first letter of each paragraph is also often colored red.

\subsection{\cs{cuKinovar}}
Takes a single argument and prints it using red color.
For example, explicitly specifying its argument one gets the expected result:

\end{EN}

\begin{RU}
\section{ÐšÐ¸Ð½Ð¾Ð²Ð°Ñ€ÑŒ}
ÐŸÐµÑ‡Ð°Ñ‚Ð½Ñ‹Ðµ Ð¸ Ñ€ÑƒÐºÐ¾Ð¿Ð¸ÑÐ½Ñ‹Ðµ ÐºÐ½Ð¸Ð³Ð¸ Ð½Ð° Ñ†ÐµÑ€ÐºÐ¾Ð²Ð½Ð¾ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¾Ð¼ ÑÐ·Ñ‹ÐºÐµ Ñ‡Ð°ÑÑ‚Ð¾ Ð¿Ð¾Ð»ÑŒÐ·ÑƒÑŽÑ‚ÑÑ
ÐºÑ€Ð°ÑÐ½Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼ (&lt;&lt;ÐºÐ¸Ð½Ð¾Ð²Ð°Ñ€ÑŒÑŽ&gt;&gt;) Ð´Ð»Ñ Ð²Ñ‹Ð´ÐµÐ»ÐµÐ½Ð¸Ñ ÑÑ‚Ñ€ÑƒÐºÑ‚ÑƒÑ€Ð½Ñ‹Ñ… ÑÐ»ÐµÐ¼ÐµÐ½Ñ‚Ð¾Ð² Ñ‚ÐµÐºÑÑ‚Ð°.
ÐžÐ±Ñ‹Ñ‡Ð½Ð¾ Ð±Ð¾Ð³Ð¾ÑÐ»ÑƒÐ¶ÐµÐ±Ð½Ñ‹Ðµ ÑƒÐºÐ°Ð·Ð°Ð½Ð¸Ñ (&lt;&lt;Ñ€ÑƒÐ±Ñ€Ð¸ÐºÐ¸&gt;&gt;), Ð·Ð°Ð³Ð¾Ð»Ð¾Ð²ÐºÐ¸, Ð·Ð°Ð¼ÐµÑ‡Ð°Ð½Ð¸Ñ Ð¸ Ð¿Ð¾Ð¼ÐµÑ‚Ñ‹
Ð½Ð° Ð¿Ð¾Ð»ÑÑ… Ð¿ÐµÑ‡Ð°Ñ‚Ð°ÑŽÑ‚ÑÑ ÐºÑ€Ð°ÑÐ½Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼. ÐšÑ€Ð¾Ð¼Ðµ Ñ‚Ð¾Ð³Ð¾, Ð¿ÐµÑ€Ð²Ð°Ñ Ð±ÑƒÐºÐ²Ð° ÐºÐ°Ð¶Ð´Ð¾Ð³Ð¾ Ð¿Ð°Ñ€Ð°Ð³Ñ€Ð°Ñ„Ð° Ñ‚Ð¾Ð¶Ðµ
Ñ‡Ð°ÑÑ‚Ð¾ Ð²Ñ‹Ð´ÐµÐ»ÑÐµÑ‚ÑÑ ÐºÑ€Ð°ÑÐ½Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼.

\subsection{\cs{cuKinovar}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿ÐµÑ‡Ð°Ñ‚Ð°ÐµÑ‚ ÑÐ²Ð¾Ð¹ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚ ÐºÑ€Ð°ÑÐ½Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼. ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, ÐµÑÐ»Ð¸ Ð¼Ñ‹ ÑÐ²Ð½Ð¾ Ð·Ð°Ð´Ð°Ð´Ð¸Ð¼ Ñ‚ÐµÐºÑÑ‚ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ð°, Ñ‚Ð¾ Ð¿Ð¾Ð»ÑƒÑ‡Ð¸Ð¼ Ð¾Ð¶Ð¸Ð´Ð°ÐµÐ¼Ñ‹Ð¹ Ñ€ÐµÐ·ÑƒÐ»ÑŒÑ‚Ð°Ñ‚:
\end{RU}

\begin{center}
\begin{churchslavonic}
\begin{tabular}[]{ | l | l | }
\hline
\verb+\cuKinovar{+Ð»Ð¸ÌÐºÑŠ:\verb+}+ Ð³Ð´â·­Ò‡Ð¸ Ð¿Ð¾Ð¼Ð¸ÌÐ»ê™‹Ð¹. &amp; \cuKinovar{Ð»Ð¸ÌÐºÑŠ:} Ð³Ð´â·­Ò‡Ð¸ Ð¿Ð¾Ð¼Ð¸ÌÐ»ê™‹Ð¹. \\
\hline
\end{tabular}
\end{churchslavonic}
\end{center}

\begin{EN}
If one uses the \TeX\ mechanism of implicit argument detection,
then the first character of the text after this command will be printed in red.
However, a non-trivial feature of this command is that it will also ``collect'' all
of the diacritical marks that belong to this first character,
and thus all accents will also be colored in red!
Use this command in the indirect parameter mode to print in red the first letter
of each paragraph.\footnote{You can also experiment
with the \TeX\ command \cs{everypar} to automate this, but the success or failure of this technique critically depends on the
\LaTeX\ class used and packages loaded. We found it very fragile and thus the \pkg{churchslavonic} package does not offer
any automation for this task. It may be easier and more robust to use the Find/Replace functionality embedded in any non-trivial text
editor to just automatically place a \cs{cuKinovar} command before every paragraph of the source text.}
\end{EN}

\begin{RU}
Ð•ÑÐ»Ð¸ Ð¶Ðµ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð¼ÐµÑ…Ð°Ð½Ð¸Ð·Ð¼ \TeX{} Ð½ÐµÑÐ²Ð½Ð¾Ð³Ð¾ Ð·Ð°Ð´Ð°Ð½Ð¸Ñ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ð°, Ñ‚Ð¾ ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° Ð±ÑƒÐ´ÐµÑ‚ Ð¿Ñ€Ð¸Ð¼ÐµÐ½ÐµÐ½Ð° Ðº Ð¿ÐµÑ€Ð²Ð¾Ð¹ Ð±ÑƒÐºÐ²Ðµ Ð¿Ð¾ÑÐ»ÐµÐ´ÑƒÑŽÑ‰ÐµÐ³Ð¾ Ñ‚ÐµÐºÑÑ‚Ð°.
ÐŸÑ€Ð¸ ÑÑ‚Ð¾Ð¼ ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° ``ÑÐ¾Ð±ÐµÑ€ÐµÑ‚'' Ð²ÑÐµ Ð½ÐµÐ¾Ð±Ñ…Ð¾Ð´Ð¸Ð¼Ñ‹Ðµ Ð²Ñ‹Ð½Ð¾ÑÐ½Ñ‹Ðµ ÑÐ¸Ð¼Ð²Ð¾Ð»Ñ‹, Ñ‚Ð°Ðº Ñ‡Ñ‚Ð¾ Ð²ÑÐµ Ð½Ð°Ð´ÑÑ‚Ñ€Ð¾Ñ‡Ð½Ñ‹Ðµ Ð·Ð½Ð°ÐºÐ¸ Ð¿ÐµÑ€Ð²Ð¾Ð¹ Ð±ÑƒÐºÐ²Ñ‹ Ð±ÑƒÐ´ÑƒÑ‚ Ñ‚Ð°ÐºÐ¶Ðµ ÐºÐ¾Ñ€Ñ€ÐµÐºÑ‚Ð½Ð¾ Ñ€Ð°ÑÐºÑ€Ð°ÑˆÐµÐ½Ñ‹!
ÐŸÐ¾ÑÑ‚Ð¾Ð¼Ñƒ Ð¾Ñ‡ÐµÐ½ÑŒ ÑƒÐ´Ð¾Ð±Ð½Ð¾ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒ ÑÑ‚Ñƒ ÐºÐ¾Ð¼Ð°Ð½Ð´Ñƒ Ñ Ð½ÐµÑÐ²Ð½Ñ‹Ð¼ Ð·Ð°Ð´Ð°Ð½Ð¸ÐµÐ¼ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ð° Ð´Ð»Ñ Ñ€Ð°ÑÐºÑ€Ð°ÑÐºÐ¸ Ð¿ÐµÑ€Ð²Ð¾Ð¹ Ð±ÑƒÐºÐ²Ñ‹ Ð¿Ð°Ñ€Ð°Ð³Ñ€Ð°Ñ„Ð°.\footnote{Ð’Ñ‹ Ñ‚Ð°ÐºÐ¶Ðµ
Ð¼Ð¾Ð¶ÐµÑ‚Ðµ Ð¿Ð¾ÑÐºÑÐ¿ÐµÑ€Ð¸Ð¼ÐµÐ½Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ ÑÐ¾ Ð²ÑÑ‚Ñ€Ð¾ÐµÐ½Ð½Ð¾Ð¹ ÐºÐ¾Ð¼Ð°Ð½Ð´Ð¾Ð¹ \TeX\ \cs{everypar} Ñ Ñ†ÐµÐ»ÑŒÑŽ Ð¿Ð¾Ð»Ð½Ð¾ÑÑ‚ÑŒÑŽ Ð°Ð²Ñ‚Ð¾Ð¼Ð°Ñ‚Ð¸Ð·Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ Ñ€Ð°ÑÐºÑ€Ð°ÑÐºÑƒ Ð¿ÐµÑ€Ð²Ð¾Ð¹ Ð±ÑƒÐºÐ²Ñ‹
ÐºÐ°Ð¶Ð´Ð¾Ð³Ð¾ Ð¿Ð°Ñ€Ð°Ð³Ñ€Ð°Ñ„Ð°. ÐžÐ´Ð½Ð°ÐºÐ¾ ÑƒÑÐ¿ÐµÑ… ÑÐ¸Ð»ÑŒÐ½Ð¾ Ð·Ð°Ð²Ð¸ÑÐ¸Ñ‚ Ð¾Ñ‚ Ñ‚Ð¾Ð³Ð¾, ÐºÐ°ÐºÐ¾Ð¹ ÐºÐ»Ð°ÑÑ ÑÐ¸ÑÑ‚ÐµÐ¼Ñ‹ \LaTeX\ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð¸ Ð¾Ñ‚ Ñ‚Ð¾Ð³Ð¾, ÐºÐ°ÐºÐ¸Ðµ Ð¿Ð°ÐºÐµÑ‚Ñ‹ Ð¿Ð¾Ð´Ð³Ñ€ÑƒÐ¶Ð°ÑŽÑ‚ÑÑ.
ÐœÑ‹ Ð½Ðµ Ð½Ð°ÑˆÐ»Ð¸ Ð½Ð°Ð´ÐµÐ¶Ð½Ð¾Ð³Ð¾ ÑÐ¿Ð¾ÑÐ¾Ð±Ð° Ð·Ð°ÑÑ‚Ð°Ð²Ð¸Ñ‚ÑŒ \cs{everypar} Ñ€Ð°Ð±Ð¾Ñ‚Ð°Ñ‚ÑŒ, Ð¸ Ð¿Ð¾ÑÑ‚Ð¾Ð¼Ñƒ Ð¿Ð°ÐºÐµÑ‚ \pkg{churchslavonic} Ð½Ðµ Ð¿Ñ€ÐµÐ´Ð»Ð°Ð³Ð°ÐµÑ‚ Ð½Ð¸ÐºÐ°ÐºÐ¸Ñ…
Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´ Ð´Ð»Ñ Ð´Ð°Ð»ÑŒÐ½ÐµÐ¹ÑˆÐµÐ¹ Ð°Ð²Ñ‚Ð¾Ð¼Ð°Ñ‚Ð¸Ð·Ð°Ñ†Ð¸Ð¸ ÑÑ‚Ð¾Ð³Ð¾ Ð¿Ñ€Ð¾Ñ†ÐµÑÑÐ°. ÐÐ° Ð¿Ñ€Ð°ÐºÑ‚Ð¸ÐºÐµ, Ñ‡Ð°ÑÑ‚Ð¾ Ð¿Ñ€Ð¾Ñ‰Ðµ Ð¸ Ð½Ð°Ð´ÐµÐ¶Ð½ÐµÐµ Ð²Ð¾ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒÑÑ Ñ„ÑƒÐ½ÐºÑ†Ð¸ÐµÐ¹
Ñ‚ÐµÐºÑÑ‚Ð¾Ð²Ð¾Ð³Ð¾ Ñ€ÐµÐ´Ð°ÐºÑ‚Ð¾Ñ€Ð° ÐÐ°Ð¹Ñ‚Ð¸/Ð—Ð°Ð¼ÐµÐ½Ð¸Ñ‚ÑŒ Ð´Ð»Ñ Ð²ÑÑ‚Ð°Ð²ÐºÐ¸ Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ñ‹ \cs{cuKinovar} Ð¿ÐµÑ€ÐµÐ´ ÐºÐ°Ð¶Ð´Ñ‹Ð¼ Ð¿Ð°Ñ€Ð°Ð³Ñ€Ð°Ñ„Ð¾Ð¼.}
\end{RU}

\begin{center}
\begin{churchslavonic}
\begin{tabular}[]{ | l | l | }
\hline
\verb+\cuKinovar+ ÐŸÐ¾Ð¸ÌÐ¼ÑŠ Ð³Ð´â·­Ò‡Ð²Ð¸ Ð¿Ñ£ÌÑÐ½ÑŒ Ð½Ð¾ÌÐ²ê™‹ÑŽ &amp;
\cuKinovar ÐŸÐ¾Ð¸ÌÐ¼ÑŠ Ð³Ð´â·­Ò‡Ð²Ð¸ Ð¿Ñ£ÌÑÐ½ÑŒ Ð½Ð¾ÌÐ²ê™‹ÑŽ \\
\verb+\cuKinovar+ ê™–Ò†ÌÐºÑ¡ Ñ‚ê™‹ÌÑ‡Ð° Ð½Ð° Ñ‚Ñ€Ð¾ÌÑÐºÐ¾Ñ‚ÑŠ &amp; \cuKinovar ê™–Ò†ÌÐºÑ¡ Ñ‚ê™‹ÌÑ‡Ð° Ð½Ð° Ñ‚Ñ€Ð¾ÌÑÐºÐ¾Ñ‚ÑŠ \\
\hline
\end{tabular}
\end{churchslavonic}
\end{center}

\begin{EN}

\subsection{\cs{cuKinovarColor}}
Switches the current color to red. One would typically use this command
inside a group that limits the scope of red text, unless
you want all subsequent text to be colored red.

\cuKinovar{Information:} The shade of red used by the \cs{cuKinovar} is declared in the package as a new color called \verb+kinovar+, and is set to (205, 8, 3) in the RGB color space, which has a hexadecimal representation of \verb+#CC0502+.
\end{EN}

\begin{RU}

\subsection{\cs{cuKinovarColor}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿ÐµÑ€ÐµÐºÐ»ÑŽÑ‡Ð°ÐµÑ‚ Ñ‚ÐµÐºÑƒÑ‰Ð¸Ð¹ Ñ†Ð²ÐµÑ‚ Ð½Ð° ÐºÑ€Ð°ÑÐ½Ñ‹Ð¹. Ð”Ð¾Ð»Ð¶Ð½Ð° Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ñ‚ÑŒÑÑ
Ð²Ð½ÑƒÑ‚Ñ€Ð¸ Ð³Ñ€ÑƒÐ¿Ð¿Ñ‹, ÐºÐ¾Ñ‚Ð¾Ñ€Ð°Ñ Ð¾Ð³Ñ€Ð°Ð½Ð¸Ñ‡Ð¸Ñ‚ ÐµÐµ Ð´ÐµÐ¹ÑÑ‚Ð²Ð¸Ðµ (ÐµÑÐ»Ð¸ Ð²Ñ‹ Ð½Ðµ Ñ…Ð¾Ñ‚Ð¸Ñ‚Ðµ
Ñ‡Ñ‚Ð¾Ð±Ñ‹ Ð²ÐµÑÑŒ Ð¿Ð¾ÑÐ»ÐµÐ´ÑƒÑŽÑ‰Ð¸Ð¹ Ñ‚ÐµÐºÑÑ‚ Ð±Ñ‹Ð» Ð½Ð°Ð¿ÐµÑ‡Ð°Ñ‚Ð°Ð½ ÐºÑ€Ð°ÑÐ½Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼).

\cuKinovar{Ð¡Ð¿Ñ€Ð°Ð²ÐºÐ°:} ÐžÑ‚Ñ‚ÐµÐ½Ð¾Ðº ÐºÑ€Ð°ÑÐ½Ð¾Ð³Ð¾ Ñ†Ð²ÐµÑ‚Ð°, Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÐ¼Ñ‹Ð¹ ÐºÐ¾Ð¼Ð°Ð½Ð´Ð¾Ð¹ \cs{cuKinovar} Ð¾Ð±ÑŠÑÐ²Ð»ÑÐµÑ‚ÑÑ Ð² Ð¿Ð°ÐºÐµÑ‚Ðµ Ð½Ð¾Ð²Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼ Ñ Ð½Ð°Ð·Ð²Ð°Ð½Ð¸ÐµÐ¼ \verb+kinovar+, Ð¸ Ð·Ð°Ð´Ð°Ð½ ÐºÐ°Ðº (205, 8, 3) Ð² RGB-Ñ†Ð²ÐµÑ‚Ð¾Ð²Ð¾Ð¼ Ð¿Ñ€Ð¾ÑÑ‚Ñ€Ð°Ð½ÑÑ‚Ð²Ðµ, Ñ‡Ñ‚Ð¾ Ñ€Ð°Ð²Ð½Ð¾ \verb+#CC0502+ Ð² ÑˆÐµÑÑ‚Ð½Ð°Ð´Ñ†Ð°Ñ‚Ð¸Ñ€Ð°Ð·Ñ€ÑÐ´Ð½Ð¾Ð¼ Ð¿Ñ€ÐµÐ´ÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ð¸.
\end{RU}

\begin{EN}
\section{Miscellaneous}
\subsection{\cs{cuMarginMark}, \cs{cuMarginMarkSkip}, \&amp; \cs{cuMarginMarkText}}
The command \cs{cuMarginMark} is used to place short text in the margin
at the same level as the line where the macro is placed.
Example:
\end{EN}
%
\begin{RU}
\section{Ð&nbsp;Ð°Ð·Ð½Ð¾Ðµ}
\subsection{\cs{cuMarginMark}, \cs{cuMarginMarkSkip} Ð¸ \cs{cuMarginMarkText}}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° \cs{cuMarginMark} Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð´Ð»Ñ Ð¿ÐµÑ‡Ð°Ñ‚Ð¸ Ð·Ð½Ð°Ñ‡ÐºÐ¾Ð² Ð½Ð° Ð¿Ð¾Ð»ÑÑ…,
Ð½Ð°Ð¿Ñ€Ð¾Ñ‚Ð¸Ð² ÑÑ‚Ñ€Ð¾ÐºÐ¸, Ð³Ð´Ðµ Ð²Ñ‹Ð·Ð²Ð°Ð½Ð° ÑÑ‚Ð° ÐºÐ¾Ð¼Ð°Ð½Ð´Ð°.
ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€:
\end{RU}
%
\begin{center}
\begin{churchslavonic}
\begin{tabular}{l}
  \verb+\cuMarginMark{+Ð²Òƒ\verb+}\cuKinovar+ Ð‘Ð»ÒƒÐ³Ð¾ÑÐ»Ð¾Ð²Ñ Ð´ê™‹ÑˆÑ Ð¼Ð¾Ñ§Ì€ Ð³Ð´â·­Ò‡Ð° Ð¸Ò† Ð½Ðµ Ð·Ð°Ð±Ñ‹Ð²Ð°ÌÐ¹\\
  Ð²ÑÑ£ÌÑ…ÑŠ Ð²Ð¾Ð·Ð´Ð°Ñ§ÌÐ½Ñ—Ð¹ Ñ”Ò†Ð³Ñ¡Ì€. \verb+\cuMarginMark{+Ð°Òƒ\verb+}\cuKinovar+ Ñ&nbsp;Ò†Ñ‡Ð¸Ñ‰Ð°ÌÑŽÑ‰Ð°Ð³Ð¾ \\
  Ð²ÑÑ§Ì‘ Ð±ÐµÐ·Ð·Ð°ÐºÑ¡ÌÐ½Ñ—Ñ§ Ñ‚Ð²Ð¾Ñ§Ì‘, Ð¸Ò†ÑÑ†Ñ£Ð»Ñ§ÌÑŽÑ‰Ð°Ð³Ð¾  Ð²ÑÑ§Ì‘ Ð½ÐµÐ´ê™‹ÌÐ³Ð¸ Ñ‚Ð²Ð¾Ñ§Ì‘: \\
  \verb+\cuMarginMark{+Ð²Òƒ\verb+}\cuKinovar+ Ð˜Ò†Ð·Ð±Ð°Ð²Ð»Ñ§ÌÑŽÑ‰Ð°Ð³Ð¾ Ñ¿ Ð¸Ò†ÑÑ‚Ð»Ñ£ÌÐ½Ñ—Ñ§  Ð¶Ð¸Ð²Ð¾ÌÑ‚ÑŠ Ñ‚Ð²Ð¾ÌÐ¹,\\
  Ð²Ñ£Ð½Ñ‡Ð°ÌÑŽÑ‰Ð°Ð³Ð¾ Ñ‚Ñ§Ì€ Ð¼Ð»â·­Ò‡Ñ‚Ñ—ÑŽ Ð¸Ò† Ñ‰ÐµÐ´Ñ€Ð¾ÌÑ‚Ð°Ð¼Ð¸: \verb+\cuMarginMark{+Ð°Òƒ\verb+}\cuKinovar+\\
  Ð˜Ò†ÑÐ¿Ð¾Ð»Ð½Ñ§ÌÑŽÑ‰Ð°Ð³Ð¾ Ð²Ð¾ Ð±Ð»ÒƒÐ³Ð¸ÌÑ…ÑŠ Ð¶ÐµÐ»Ð°ÌÐ½Ñ—Ðµ Ñ‚Ð²Ð¾Ñ, Ñ¡Ò†Ð±Ð½Ð¾Ð²Ð¸ÌÑ‚ÑÑ§  ê™—Ò†ÌÐºÑ¡ Ñ»Ò†ÌÑ€Ð»Ñ§ \\
  ÑŽÒ†ÌÐ½Ð¾ÑÑ‚ÑŒ Ñ‚Ð²Ð¾Ñ§Ì€.
\end{tabular}
\end{churchslavonic}
\end{center}

\begin{EN}
\noindent
Will result in:
\end{EN}
%
\begin{RU}
\noindent
ÐŸÐ¾Ð»ÑƒÑ‡Ð¸Ð¼ Ñ‚Ð°ÐºÐ¾Ð¹ Ñ€ÐµÐ·ÑƒÐ»ÑŒÑ‚Ð°Ñ‚:
\end{RU}

\begin{center}
\begin{churchslavonic}
\let\hMn=\cuMarginMark
\let\hKv=\cuKinovar
\parbox{0.75\textwidth}{%
  \textwidth=0.75\textwidth
  \hMn{Ð²Òƒ}\hKv Ð‘Ð»ÒƒÐ³Ð¾ÑÐ»Ð¾Ð²Ñ Ð´ê™‹ÑˆÑ Ð¼Ð¾Ñ§Ì€ Ð³Ð´â·­Ò‡Ð° Ð¸Ò† Ð½Ðµ Ð·Ð°Ð±Ñ‹Ð²Ð°ÌÐ¹ Ð²ÑÑ£ÌÑ…ÑŠ  Ð²Ð¾Ð·Ð´Ð°Ñ§ÌÐ½Ñ—Ð¹ Ñ”Ò†Ð³Ñ¡Ì€.
  \hMn{Ð°Òƒ}\hKv Ñ&nbsp;Ò†Ñ‡Ð¸Ñ‰Ð°ÌÑŽÑ‰Ð°Ð³Ð¾ Ð²ÑÑ§Ì‘ Ð±ÐµÐ·Ð·Ð°ÐºÑ¡ÌÐ½Ñ—Ñ§ Ñ‚Ð²Ð¾Ñ§Ì‘, Ð¸Ò†ÑÑ†Ñ£Ð»Ñ§ÌÑŽÑ‰Ð°Ð³Ð¾  Ð²ÑÑ§Ì‘ Ð½ÐµÐ´ê™‹ÌÐ³Ð¸ Ñ‚Ð²Ð¾Ñ§Ì‘:
  \hMn{Ð²Òƒ}\hKv Ð˜Ò†Ð·Ð±Ð°Ð²Ð»Ñ§ÌÑŽÑ‰Ð°Ð³Ð¾ Ñ¿ Ð¸Ò†ÑÑ‚Ð»Ñ£ÌÐ½Ñ—Ñ§  Ð¶Ð¸Ð²Ð¾ÌÑ‚ÑŠ Ñ‚Ð²Ð¾ÌÐ¹, Ð²Ñ£Ð½Ñ‡Ð°ÌÑŽÑ‰Ð°Ð³Ð¾ Ñ‚Ñ§Ì€ Ð¼Ð»â·­Ò‡Ñ‚Ñ—ÑŽ Ð¸Ò† Ñ‰ÐµÐ´Ñ€Ð¾ÌÑ‚Ð°Ð¼Ð¸:
  \hMn{Ð°Òƒ}\hKv Ð˜Ò†ÑÐ¿Ð¾Ð»Ð½Ñ§ÌÑŽÑ‰Ð°Ð³Ð¾ Ð²Ð¾ Ð±Ð»ÒƒÐ³Ð¸ÌÑ…ÑŠ Ð¶ÐµÐ»Ð°ÌÐ½Ñ—Ðµ Ñ‚Ð²Ð¾Ñ, Ñ¡Ò†Ð±Ð½Ð¾Ð²Ð¸ÌÑ‚ÑÑ§  ê™—Ò†ÌÐºÑ¡ Ñ»Ò†ÌÑ€Ð»Ñ§ ÑŽÒ†ÌÐ½Ð¾ÑÑ‚ÑŒ Ñ‚Ð²Ð¾Ñ§Ì€.
}
\end{churchslavonic}
\end{center}

\begin{EN}
The marginal mark is placed on the right margin for odd pages
and on the left margin for even pages (e.g.~the mark is placed on the
``outer'' margin, not the spine margin), which is usualy the desired behavior.

The distance between the mark and the text is controlled by the value
of \cs{cuMarginMarkSkip}. The default is:
\end{EN}
%
\begin{RU}
ÐŸÐ¾Ð¼ÐµÑ‚Ð° Ð¿Ð¾Ð¼ÐµÑ‰Ð°ÐµÑ‚ÑÑ Ð½Ð° &lt;&lt;Ð²Ð½ÐµÑˆÐ½ÐµÐµ&gt;&gt; Ð¿Ð¾Ð»Ðµ, Ñ‚Ð¾ ÐµÑÑ‚ÑŒ ÑÐ¿Ñ€Ð°Ð²Ð° Ð¾Ñ‚ Ñ‚ÐµÐºÑÑ‚Ð° Ð´Ð»Ñ Ð½ÐµÑ‡ÐµÑ‚Ð½Ñ‹Ñ… ÑÑ‚Ñ€Ð°Ð½Ð¸Ñ† Ð¸ ÑÐ»ÐµÐ²Ð° Ð¾Ñ‚ Ñ‚ÐµÐºÑÑ‚Ð° Ð´Ð»Ñ Ñ‡ÐµÑ‚Ð½Ñ‹Ñ….

Ð&nbsp;Ð°ÑÑÑ‚Ð¾ÑÐ½Ð¸Ðµ Ð¼ÐµÐ¶Ð´Ñƒ Ð¿Ð¾Ð¼ÐµÑ‚Ð¾Ð¹ Ð¸ Ñ‚ÐµÐºÑÑ‚Ð¾Ð¼ Ð·Ð°Ð´Ð°ÐµÑ‚ÑÑ Ñ‡ÐµÑ€ÐµÐ· Ð·Ð½Ð°Ñ‡ÐµÐ½Ð¸Ðµ \cs{cuMarginMarkSkip}. ÐŸÐ¾ ÑƒÐ¼Ð¾Ð»Ñ‡Ð°Ð½Ð¸ÑŽ ÑÑ‚Ð¾:
\end{RU}
%
\begin{verbatim}
\def\cuMarginMarkSkip{0.6em}
\end{verbatim}

\begin{EN}
To globally customize the font and color of the margin mark use \cs{cuMarginMarkText}.
For example, to make margin marks appear in red color, redefine \cs{cuMarginMarkText} in the preamble of your
document like this:
\end{EN}
%
\begin{RU}
Ð¨Ñ€Ð¸Ñ„Ñ‚ Ð¸ Ñ†Ð²ÐµÑ‚ Ð¿Ð¾Ð¼ÐµÑ‚Ñ‹ Ð¼Ð¾Ð¶Ð½Ð¾ Ð¸Ð·Ð¼ÐµÐ½Ð¸Ñ‚ÑŒ, Ð¿ÐµÑ€ÐµÐ¾Ð¿Ñ€ÐµÐ´ÐµÐ»Ð¸Ð² ÐºÐ¾Ð¼Ð°Ð½Ð´Ñƒ \cs{cuMarginMarkText}.
ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, ÐµÑÐ»Ð¸ Ð’Ñ‹ Ñ…Ð¾Ñ‚Ð¸Ñ‚Ðµ Ñ‡Ñ‚Ð¾Ð±Ñ‹ Ð²ÑÐµ Ð¿Ð¾Ð¼ÐµÑ‚Ñ‹ Ð¿ÐµÑ‡Ð°Ñ‚Ð°Ð»Ð¸ÑÑŒ ÐºÑ€Ð°ÑÐ½Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼, Ñ‚Ð¾ Ð´Ð¾ÑÑ‚Ð°Ñ‚Ð¾Ñ‡Ð½Ð¾ Ð¿Ð¾Ð¼ÐµÑÑ‚Ð¸Ñ‚ÑŒ
Ð² Ð¿Ñ€ÐµÐ°Ð¼Ð±ÑƒÐ»Ñƒ Ð²Ð°ÑˆÐµÐ³Ð¾ Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð° ÑÐ»ÐµÐ´ÑƒÑŽÑ‰ÐµÐµ Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ðµ:
\end{RU}
\begin{verbatim}
\def\cuMarginMarkText#1{\cuKinovar{#1}}
\end{verbatim}

\begin{EN}
If you need to change the font/size/color just for a single mark, you can do it directly with \cs{cuMarginMark}:
\end{EN}

\begin{RU}
Ð•ÑÐ»Ð¸ Ð½Ð°Ð´Ð¾ Ð¿Ð¾Ð¼ÐµÐ½ÑÑ‚ÑŒ Ñ€Ð°Ð·Ð¼ÐµÑ€, Ñ†Ð²ÐµÑ‚, Ð¸Ð»Ð¸ ÑˆÑ€Ð¸Ñ„Ñ‚ Ð´Ð»Ñ ÐºÐ°ÐºÐ¾Ð¹-Ñ‚Ð¾ Ð¾Ð´Ð½Ð¾Ð¹ Ð¿Ð¾Ð¼ÐµÑ‚Ñ‹, Ñ‚Ð¾ Ð¿Ñ€Ð¾Ñ‰Ðµ Ð²ÑÐµÐ³Ð¾ ÑÑ‚Ð¾ ÑÐ´ÐµÐ»Ð°Ñ‚ÑŒ Ð¿Ñ€Ð¸
Ð²Ñ‹Ð·Ð¾Ð²Ðµ \cs{cuMarginMark}:
\end{RU}

\begin{verbatim}
\cuMarginMark{{\tiny *}}
\end{verbatim}

\begin{EN}
\subsection{Superscripts}
The \cs{cuSup} macro can be used to place arbitrary superscript text above the
baseline text, a feature that can be useful in editing Slavonic manuscripts.
The macro takes two parameters: the first parameter is the superscripted text,
the second parameter is the baseline text. For example:
\end{EN}

\begin{RU}
\subsection{ÐÐ°Ð´ÑÑ‚Ñ€Ð¾Ñ‡Ð½Ñ‹Ð¹ Ñ‚ÐµÐºÑÑ‚}
ÐœÐ°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° \cs{cuSup} Ð¼Ð¾Ð¶ÐµÑ‚ Ð±Ñ‹Ñ‚ÑŒ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ð½Ð° Ð´Ð»Ñ Ñ€Ð°Ð·Ð¼ÐµÑ‰ÐµÐ½Ð¸Ñ Ð¿Ñ€Ð¾Ð¸Ð·Ð²Ð¾Ð»ÑŒÐ½Ð¾Ð³Ð¾
Ð½Ð°Ð´ÑÑ‚Ñ€Ð¾Ñ‡Ð½Ð¾Ð³Ð¾ Ñ‚ÐµÐºÑÑ‚Ð° Ð½Ð°Ð´ Ñ‚ÐµÐºÑÑ‚Ð¾Ð¼ Ð² ÑÑ‚Ñ€Ð¾ÐºÐµ, Ñ‡Ñ‚Ð¾ Ð±Ñ‹Ð²Ð°ÐµÑ‚ Ð½ÐµÐ¾Ð±Ñ…Ð¾Ð´Ð¸Ð¼Ð¾ Ð¿Ñ€Ð¸ Ð¸Ð·Ð´Ð°Ð½Ð¸Ð¸ Ñ‚ÐµÐºÑÑ‚Ð¾Ð²
Ð¸Ð· ÑÐ»Ð°Ð²ÑÐ½ÑÐºÐ¸Ñ… Ñ€ÑƒÐºÐ¾Ð¿Ð¸ÑÐµÐ¹. ÐœÐ°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿Ñ€Ð¸Ð½Ð¸Ð¼Ð°ÐµÑ‚ Ð´Ð²Ð° Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€Ð°: Ð¿ÐµÑ€Ð²Ñ‹Ð¹ Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€ -- 
Ð½Ð°Ð´ÑÑ‚Ñ€Ð¾Ñ‡Ð½Ñ‹Ð¹ Ñ‚ÐµÐºÑÑ‚, Ð²Ñ‚Ð¾Ñ€Ð¾Ð¹ Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€ -- Ñ‚ÐµÐºÑÑ‚ Ð² ÑÑ‚Ñ€Ð¾ÐºÐµ. ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€:
\end{RU}

\begin{verbatim}
Ð¼Ð¾Ð»\cuSup{Ð²Ð°}{Ð¸ÌÑ‚}
\end{verbatim}

\begin{churchslavonic}
Ð¼Ð¾Ð»\cuSup{Ð²Ð°}{Ð¸ÌÑ‚}
\end{churchslavonic}

\begin{EN}
The macro accepts an optional parameter \verb+raise+, which controls the vertical
space between the base characters and the superscript. The formatting of the
base and superscript texts can also be controlled directly:
\end{EN}

\begin{RU}
ÐœÐ°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿Ñ€Ð¸Ð½Ð¸Ð¼Ð°ÐµÑ‚ Ð½ÐµÐ¾Ð±ÑÐ·Ð°Ñ‚ÐµÐ»ÑŒÐ½Ñ‹Ð¹ Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€ \verb+raise+, ÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ð¹ ÑƒÐ¿Ñ€Ð°Ð²Ð»ÑÐµÑ‚
Ð²ÐµÑ€Ñ‚Ð¸ÐºÐ°Ð»ÑŒÐ½Ñ‹Ð¼ Ð¿Ñ€Ð¾ÑÑ‚Ñ€Ð°Ð½ÑÑ‚Ð²Ð¾Ð¼ Ð¼ÐµÐ¶Ð´Ñƒ Ñ‚ÐµÐºÑÑ‚Ð¾Ð¼ Ð² ÑÑ‚Ñ€Ð¾ÐºÐµ Ð¸ Ð½Ð°Ð´ÑÑ‚Ñ€Ð¾Ñ‡Ð½Ñ‹Ð¼ Ñ‚ÐµÐºÑÑ‚Ð¾Ð¼.
Ð¤Ð¾Ñ€Ð¼Ð°Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð¸Ðµ ÑÑ‚Ñ€Ð¾Ñ‡Ð½Ð¾Ð³Ð¾ Ð¸ Ð½Ð°Ð´ÑÑ‚Ñ€Ð¾Ñ‡Ð½Ð¾Ð³Ð¾ Ñ‚ÐµÐºÑÑ‚Ð¾Ð² Ñ‚Ð°ÐºÐ¶Ðµ Ð¼Ð¾Ð¶Ð½Ð¾ ÐºÐ¾Ð½Ñ‚Ñ€Ð¾Ð»Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ Ð½Ð°Ð¿Ñ€ÑÐ¼ÑƒÑŽ:
\end{RU}

\begin{verbatim}
Ð¿Ð¾\cuSup[raise=0.75ex]{\kern2em \cuKinovar{Ð»Ð°Ð³Ð°ÌÐµÑ‚ÑŠ}}{\cuKinovar{Ð»Ð¾Ð¶Ð¸Ì€}} Ð½Ð°ÌÐ¼ÑŠ
\end{verbatim}

\begin{churchslavonic}
Ð¿Ð¾\cuSup[raise=0.75ex]{\kern2em \cuKinovar{Ð»Ð°Ð³Ð°ÌÐµÑ‚ÑŠ}}{\cuKinovar{Ð»Ð¾Ð¶Ð¸Ì€}} Ð½Ð°ÌÐ¼ÑŠ
\end{churchslavonic}

\begin{EN}
\subsection{Dropcaps}
The mechanism that the \cs{cuKinovar} macro is using to collect all accents
(when the argument is specified implicitly) can be useful for
many other purposes. One example is to typeset a dropletter at the beginning of a chapter
(this is often used in Church Slavonic texts). For this purpose, the standard \LaTeX\ package
\pkg{lettrine} works just fine. The only nuisance is that one has to be careful to
pass to \cs{lettrine} not just the first letter, but also any diacritical marks that
attach to this letter. Naturally, we want to reuse the
clever mechanism that \cs{cuKinovar} uses, and automatically collect the diacritical marks!

Here is an example of how to accomplish this:
\end{EN}

\begin{RU}
\subsection{Ð‘ÑƒÐºÐ²Ð¸Ñ†Ñ‹}
ÐœÐµÑ…Ð°Ð½Ð¸Ð·Ð¼, Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÐ¼Ñ‹Ð¹ ÐºÐ¾Ð¼Ð°Ð½Ð´Ð¾Ð¹ \cs{cuKinovar} Ð´Ð»Ñ ÑÐ±Ð¾Ñ€Ð° Ð²Ñ‹Ð½Ð¾ÑÐ½Ñ‹Ñ… ÑÐ¸Ð¼Ð²Ð¾Ð»Ð¾Ð² (Ð¿Ñ€Ð¸ Ð½ÐµÑÐ²Ð½Ð¾Ð¼ Ð·Ð°Ð´Ð°Ð½Ð¸Ð¸ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ð°), Ð¼Ð¾Ð¶ÐµÑ‚ Ð¾ÐºÐ°Ð·Ð°Ñ‚ÑŒÑÑ Ð¿Ð¾Ð»ÐµÐ·ÐµÐ½
Ð² Ð½ÐµÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ñ… Ð´Ñ€ÑƒÐ³Ð¸Ñ… ÑÐ»ÑƒÑ‡Ð°ÑÑ…. ÐžÐ´Ð¸Ð½ Ð¸Ð· Ð¿Ñ€Ð¸Ð¼ÐµÑ€Ð¾Ð² --- ÑÑ‚Ð¾ ``Ð±ÑƒÐºÐ²Ð¸Ñ†Ñ‹'' Ð² Ð½Ð°Ñ‡Ð°Ð»Ðµ Ñ€Ð°Ð·Ð´ÐµÐ»Ð¾Ð². Ð”Ð»Ñ Ð½Ð°Ð±Ð¾Ñ€Ð° Ð±ÑƒÐºÐ²Ð¸Ñ†Ñ‹ Ð¾Ñ‚Ð»Ð¸Ñ‡Ð½Ð¾ Ñ€Ð°Ð±Ð¾Ñ‚Ð°ÐµÑ‚ ÑÑ‚Ð°Ð½Ð´Ð°Ñ€Ñ‚Ð½Ñ‹Ð¹
Ð¿Ð°ÐºÐµÑ‚ \pkg{lettrine}. Ð•Ð´Ð¸Ð½ÑÑ‚Ð²ÐµÐ½Ð½Ð¾Ðµ Ð½ÐµÑƒÐ´Ð¾Ð±ÑÑ‚Ð²Ð¾ --- ÑÑ‚Ð¾ Ð½ÐµÐ¾Ð±Ñ…Ð¾Ð´Ð¸Ð¼Ð¾ÑÑ‚ÑŒ Ð·Ð°Ð´Ð°Ð²Ð°Ñ‚ÑŒ ÑÐ²Ð½Ð¾ Ð¿ÐµÑ€Ð²ÑƒÑŽ Ð±ÑƒÐºÐ²Ñƒ Ð²Ð¼ÐµÑÑ‚Ðµ ÑÐ¾ Ð²ÑÐµÐ¼Ð¸ ÐµÐµ Ð²Ñ‹Ð½Ð¾ÑÐ½Ñ‹Ð¼Ð¸ ÑÐ¸Ð¼Ð²Ð¾Ð»Ð°Ð¼Ð¸.
Ð•ÑÑ‚ÐµÑÑ‚Ð²ÐµÐ½Ð½Ð¾ Ð¶ÐµÐ»Ð°Ð½Ð¸Ðµ ÑƒÐ¿Ñ€Ð¾ÑÑ‚Ð¸Ñ‚ÑŒ Ð¸ Ð°Ð²Ñ‚Ð¾Ð¼Ð°Ñ‚Ð¸Ð·Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ ÑÑ‚Ñƒ Ñ€Ð°Ð±Ð¾Ñ‚Ñƒ Ð·Ð°Ð´ÐµÐ¹ÑÑ‚Ð²Ð¾Ð²Ð°Ð² Ñ‚Ð¾Ñ‚ Ð¶Ðµ Ð¼ÐµÑ…Ð°Ð½Ð¸Ð·Ð¼, Ñ‡Ñ‚Ð¾ Ð¸ Ð² \cs{cuKinovar}.

Ð’Ð¾Ñ‚ ÐºÐ°Ðº Ð¼Ð¾Ð¶Ð½Ð¾ Ð´Ð¾Ð±Ð¸Ñ‚ÑŒÑÑ ÑÑ‚Ð¾Ð³Ð¾:
\end{RU}

\begin{center}
\begin{churchslavonic}
\begin{tabular}{l}
\verb+\def\cu@lettrine{\lettrine[lines=3,findent=0pt,nindent=0pt]}+\\
\verb+\def\cuLettrine{\cu@tokenizeletter\cu@lettrine}+\\
\verb+\renewcommand{\LettrineFontHook}{\cuKinovarColor}+\\
\end{tabular}
\end{churchslavonic}
\end{center}
%
\begin{EN}
Once this definition of \verb+\cuLettrine+ is created (somewhere in the preamble, between the declarations \cs{makeatletter} and \cs{makeatother}),
you can create drop capitals like this:
\end{EN}
%
\begin{RU}
ÐŸÐ¾Ð¼ÐµÑÑ‚Ð¸Ñ‚Ðµ ÑÑ‚Ð¾ Ð¾Ð¿Ñ€ÐµÐ´ÐµÐ»ÐµÐ½Ð¸Ðµ ÐºÐ¾Ð¼Ð°Ð½Ð´Ñ‹ \verb+\cuLettrine+ Ð² Ð¿Ñ€ÐµÐ°Ð¼Ð±ÑƒÐ»Ñƒ Ð²Ð°ÑˆÐµÐ³Ð¾ Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð° (Ð¸ Ð½Ðµ Ð·Ð°Ð±ÑƒÐ´ÑŒÑ‚Ðµ Ð¾ÐºÑ€ÑƒÐ¶Ð¸Ñ‚ÑŒ ÐµÐ³Ð¾ ÐºÐ¾Ð¼Ð°Ð½Ð´Ð°Ð¼Ð¸ \cs{makeatletter} Ð¸ \cs{makeatother}).
ÐŸÐ¾ÑÐ»Ðµ ÑÑ‚Ð¾Ð³Ð¾ Ð¼Ð¾Ð¶Ð½Ð¾ Ð½Ð°Ð±Ð¸Ñ€Ð°Ñ‚ÑŒ Ð±ÑƒÐºÐ²Ð¸Ñ†Ñ‹ Ñ‚Ð°Ðº:
\end{RU}
%
\begin{center}
\begin{churchslavonic}
\begin{tabular}{l}
\verb+\cuLettrine+ Ð˜Ò†ÌÐ¶Ðµ Ð´Ñ…ÒƒÐ° ÑÐ¸ÌÐ»Ð° Ð²ÑŠ Ð½ÐµÌÐ¼Ð¾Ñ‰Ð¸ ÑÐ¾Ð²ÐµÑ€ÑˆÐ°ÌÐµÑ‚ÑÑ§\ldots\\
\end{tabular}
\end{churchslavonic}
\end{center}

\begin{center}
\begin{churchslavonic}

\parbox{0.75\textwidth}{%
\textwidth=0.75\textwidth

\cuLettrine
Ð˜Ò†ÌÐ¶Ðµ Ð´Ñ…ÒƒÐ° ÑÐ¸ÌÐ»Ð° Ð²ÑŠ Ð½ÐµÌÐ¼Ð¾Ñ‰Ð¸ ÑÐ¾Ð²ÐµÑ€ÑˆÐ°ÌÐµÑ‚ÑÑ§, ê™—Ò†ÌÐºÐ¾Ð¶Ðµ Ð¿Ð¸ÌÑÐ°Ð½Ð¾ Ñ”Ò†ÌÑÑ‚ÑŒ, Ð¸Ò† Ð²Ñ£ÌÑ€ê™‹ÐµÐ¼ÑŠ: Ð²ÑŠ Ð½ÐµÌÐ¼Ð¾Ñ‰Ð¸ Ð¶Ðµ Ð½Ðµ Ñ‚Ñ£Ð»ÐµÑÑ Ñ‚Ð¾ÌÑ‡Ñ—ÑŽ, Ð½Ð¾ á²‚ÑƒÒ†ÌÐ±Ñ¡ Ð¸Ò† ÑÐ»Ð¾ÌÐ²Ð°,
Ð¸Ò† Ð¿Ñ€ÐµÐ¼ê™‹ÌÐ´Ñ€Ð¾ÑÑ‚Ð¸ Ð½Ð° Ñ§Ò†Ð·Ñ‹ÌÑ†Ñ£ Ð»ÐµÐ¶Ð°ÌÑ‰Ð°. Ð˜Ò† ÑÑ ê™—Ò†ÌÐ²Ñ£ Ñ¿ Ð¼Ð½Ð¾ÌÐ³Ð¸Ñ…ÑŠ á²‚ÑƒÒ†ÌÐ±Ñ¡ Ð¸Ò†Ð½Ñ‹ÌÑ…ÑŠ, Ð¿Ð°ÌÑ‡Ðµ Ð¶Ðµ Ñ¿ Ð¸Ò†ÌÐ¶Ðµ Ñ¡Ò† Ð²ÐµÐ»Ð¸ÌÐºÐ¾Ð¼ÑŠ Ð±Ð³ÒƒÐ¾ÑÐ»Ð¾ÌÐ²Ñ£, Ð¸Ò† Ð±Ñ€Ð°ÌÑ‚Ñ£ Ñ…Ñ€â·­Ò‡Ñ‚Ð¾ÌÐ²Ñ£,
Ð±Ð»Ð°Ð³Ð¾Ð´Ð°ÌÑ‚Ñ—ÑŽ Ð·Ñ€Ð¸ÌÐ¼Ñ£Ð¼ÑŠ.
}%
\end{churchslavonic}
\end{center}

\begin{EN}
\section{Znamenny Notation}
\subsection{Typesetting Znamenny Notation}
The package offers two commands for typesetting liturgical music in Znamenny Notation and other neumatic notation systems. To use these macro commands, you will need to declare the font that will be used to typeset the musical notation symbols and set the \cs{cuKrukFont} parameter, which is usually done in the preamble of the document. Example:
\end{EN}
%
\begin{RU}
\section{Ð—Ð½Ð°Ð¼ÐµÐ½Ð½Ð°Ñ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ñ}
\subsection{ÐÐ°Ð±Ð¾Ñ€ Ð—Ð½Ð°Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ð¸}
ÐŸÐ°ÐºÐµÑ‚ Ð¿Ñ€ÐµÐ´Ð»Ð°Ð³Ð°ÐµÑ‚ Ð´Ð²Ðµ Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ñ‹ Ð´Ð»Ñ Ð½Ð°Ð±Ð¾Ñ€Ð° Ð»Ð¸Ñ‚ÑƒÑ€Ð³Ð¸Ñ‡ÐµÑÐºÐ¸Ñ… Ð¿ÐµÑÐ½Ð¾Ð¿ÐµÐ½Ð¸Ð¹ Ð² Ð·Ð½Ð°Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð¸Ð»Ð¸ Ð´Ñ€ÑƒÐ³Ð¸Ñ… Ð½ÐµÐ²Ð¼ÐµÐ½Ð½Ñ‹Ñ… Ð¼ÑƒÐ·Ñ‹ÐºÐ°Ð»ÑŒÐ½Ñ‹Ñ… Ð½Ð¾Ñ‚Ð°Ñ†Ð¸ÑÑ…. Ð”Ð»Ñ Ð½Ð°Ñ‡Ð°Ð»Ð° ÑÐ»ÐµÐ´ÑƒÐµÑ‚ Ð´ÐµÐºÐ»Ð°Ñ€Ð¸Ñ€Ð¾Ð²Ð°Ñ‚ÑŒ ÑˆÑ€Ð¸Ñ„Ñ‚, ÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ð¼ Ð±ÑƒÐ´ÑƒÑ‚ Ð½Ð°Ð±Ð¸Ñ€Ð°Ñ‚ÑŒÑÑ ÑÐ¸Ð¼Ð²Ð¾Ð»Ñ‹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ð¸, Ð¸ ÑƒÑÑ‚Ð°Ð½Ð¾Ð²Ð¸Ñ‚ÑŒ Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€ \cs{cuKrukFont}; ÑÑ‚Ð¾ Ð¾Ð±Ñ‹Ñ‡Ð½Ð¾ Ð´ÐµÐ»Ð°ÐµÑ‚ÑÑ Ð² Ð¿Ñ€ÐµÐ°Ð¼Ð±ÑƒÐ»Ðµ Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð°. ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€:
\end{RU}

\label{znamenny}
\begin{verbatim}
\newfontfamily\musicFont[Scale=1.5]{Mezenets Unicode}
\let\cuKrukFont=\musicFont
\end{verbatim}

\begin{EN}
The command \cs{cuKruk} is used to typeset a syllable of text with a musical neume above it. It takes the neume as its first argument and the text as its second argument. This can be used to typeset Znamenny notation inline with text or to typeset relatively short passages, for example, the code:

\verb+Here is a Podchashie: \textchurchslavonic{\cuKruk{ðœ½°ðœ¼…}{Ð¢Ð²Ð¾}}+

will produce:

Here is a Podchashie: \textchurchslavonic{\cuKruk{ðœ½°ðœ¼…}{Ð¢Ð²Ð¾}}

The \cs{cuKrukPara} command is used to typeset longer, independent passages of music in Znamenny Notation. The command takes as an argument a line of neumes, followed by \verb+\\+, followed by a line of lyrics. Groups of neumes are separated by spaces and syllables are separated by the hyphen (\verb+-+) character. Here we use the command to typeset a piece in Znamenny Notation:
\end{EN}
%
\begin{RU}
ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° \cs{cuKruk} Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð´Ð»Ñ Ð½Ð°Ð±Ð¾Ñ€Ð° Ð¾Ð´Ð½Ð¾Ð³Ð¾ ÑÐ»Ð¾Ð³Ð° Ñ Ñ€Ð°Ð·Ð¼ÐµÑ‰ÐµÐ½Ð¸ÐµÐ¼ Ð½Ð°Ð´ Ð½Ð¸Ð¼ ÑÐ¸Ð¼Ð²Ð¾Ð»Ð¾Ð² Ð½ÐµÐ²Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ð¸. ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿Ñ€Ð¸Ð½Ð¸Ð¼Ð°ÐµÑ‚ Ð´Ð²Ð° Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ð°: Ð² Ð¿ÐµÑ€Ð²Ð¾Ð¼ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ðµ ÑƒÐºÐ°Ð·Ñ‹Ð²Ð°ÑŽÑ‚ÑÑ Ð½ÐµÐ²Ð¼Ñ‹, Ð²Ð¾ Ð²Ñ‚Ð¾Ñ€Ð¾Ð¼ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ðµ -- Ñ‚ÐµÐºÑÑ‚. Ð­Ñ‚Ð¾Ñ‚ Ð¿Ð¾Ð´Ñ…Ð¾Ð´ Ð¼Ð¾Ð¶ÐµÑ‚ Ð±Ñ‹Ñ‚ÑŒ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ð½ Ð´Ð»Ñ Ð½Ð°Ð±Ð¾Ñ€Ð° Ñ‚ÐµÐºÑÑ‚Ð° Ð¸ Ð·Ð½Ð°Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ð¸ Ð² ÑÑ‚Ñ€Ð¾ÐºÐµ Ð¸Ð»Ð¸ Ð´Ð»Ñ Ð½Ð°Ð±Ð¾Ñ€Ð° Ð´Ð¾ÑÑ‚Ð°Ñ‚Ð¾Ñ‡Ð½Ð¾ ÐºÑ€Ð°Ñ‚ÐºÐ¸Ñ… Ð¼ÑƒÐ·Ñ‹ÐºÐ°Ð»ÑŒÐ½Ñ‹Ñ… Ð¾Ñ‚Ñ€Ñ‹Ð²ÐºÐ¾Ð². ÐÐ°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, Ð½Ð°Ð±Ð¾Ñ€ ÐºÐ¾Ð¼Ð°Ð½Ð´:

Ð’Ð¾Ñ‚ Ð¿Ð¾Ð´Ñ‡Ð°ÑˆÐ¸Ðµ: \verb+\textchurchslavonic{\cuKruk{ðœ½°ðœ¼…}{Ð¢Ð²Ð¾}}+

\noindent Ð´Ð°ÐµÑ‚ Ñ‚Ð°ÐºÐ¾Ð¹ Ñ€ÐµÐ·ÑƒÐ»ÑŒÑ‚Ð°Ñ‚:

Ð’Ð¾Ñ‚ Ð¿Ð¾Ð´Ñ‡Ð°ÑˆÐ¸Ðµ: \textchurchslavonic{\cuKruk{ðœ½°ðœ¼…}{Ð¢Ð²Ð¾}}

ÐšÐ¾Ð¼Ð°Ð½Ð´Ð° \cs{cuKrukPara} Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ Ð´Ð»Ñ Ð½Ð°Ð±Ð¾Ñ€Ð° Ð±Ð¾Ð»ÐµÐµ Ð´Ð»Ð¸Ð½Ð½Ñ‹Ñ… Ð¿ÐµÑÐ½Ð¾Ð¿ÐµÐ½Ð¸Ð¹, Ð½Ð¾Ñ‚Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð½Ñ‹Ñ… Ð—Ð½Ð°Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸ÐµÐ¹. Ð’ ÐºÐ°Ñ‡ÐµÑÑ‚Ð²Ðµ Ð°Ñ€Ð³ÑƒÐ¼ÐµÐ½Ñ‚Ð° ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° Ð¿Ñ€Ð¸Ð½Ð¸Ð¼Ð°ÐµÑ‚ ÑÑ‚Ñ€Ð¾ÐºÑƒ Ð½ÐµÐ²Ð¼, Ð·Ð°Ñ‚ÐµÐ¼ Ñ€Ð°Ð·Ñ€Ñ‹Ð² \verb+\\+ Ð¸, Ð·Ð°Ñ‚ÐµÐ¼, ÑÑ‚Ñ€Ð¾ÐºÑƒ Ñ‚ÐµÐºÑÑ‚Ð°. Ð“Ñ€ÑƒÐ¿Ð¿Ñ‹ Ð½ÐµÐ²Ð¼ Ñ€Ð°Ð·Ð´ÐµÐ»ÑÑŽÑ‚ÑÑ Ð¿Ñ€Ð¾Ð±ÐµÐ»Ð°Ð¼Ð¸, Ð° ÑÐ»Ð¾Ð³Ð¸ Ñ€Ð°Ð·Ð´ÐµÐ»ÑÑŽÑ‚ÑÑ ÑÐ¸Ð¼Ð²Ð¾Ð»Ð¾Ð¼ Ð´ÐµÑ„Ð¸ÑÐ° (\verb+-+). ÐŸÑ€Ð¸Ð²ÐµÐ´ÐµÐ¼ Ð¿Ñ€Ð¸Ð¼ÐµÑ€ Ñ‚Ð¾Ð³Ð¾, ÐºÐ°Ðº Ð½Ð°Ð±Ñ€Ð°Ñ‚ÑŒ Ð¿ÐµÑÐ½Ð¾Ð¿ÐµÐ½Ð¸Ðµ Ð² Ð—Ð½Ð°Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ð¸:
\end{RU}

\medskip

\begin{verbatim}
\cuKrukPara{ðœ½Ÿ ðœ¾†ðœ¼±ðœ¼‡ ðœ½—ðœ¼† ðœ½ðœ¼±ðœ¼¢ ðœ½–ðœ¼… ðœ½œðœ¼„ðœ¼¦ ðœ¾–ðœ¼†ðœ¼¤ ðœ½ðœ¼…ðœ¼¤ðœ½˜ ðœ¾†ðœ¼±ðœ¼ˆ ðœ½ž ðœ¾¬ðœ¼ˆðœ¼¤ ðœ½–ðœ¼… 
ðœ¾’ðœ¼°ðœ¼ºðœ¼†ðœ¼£ ðœ¾–ðœ¼†ðœ¼¤ ðœ¾‹ðœ¼… ðœ¾†ðœ¼„ ðœ½ðœ¼„ ðœ½ðœ¼… ðœ½—ðœ¼„ ðœ½ž ðœ½ðœ¼°ðœ¼… ðœ½–ðœ¼¢ ðœ½—ðœ¼¢ ðœ¾†ðœ¾…ðœ¼‡ ðœ½ðœ¼„ðœ¼¤ðœ½˜ ðœ¾†ðœ¼±ðœ¼‡ 
ðœ¾’ðœ¼±ðœ¼ˆðœ¼¤ ðœ½—ðœ¼‡ ðœ½ðœ¼±ðœ¼¢ ðœ½–ðœ¼† ðœ½—ðœ¼… ðœ½ž ðœ¾’ðœ¼°ðœ¼ºðœ¼† ðœ½ðœ¼„ ðœ½œðœ¼… ðœ¾†ðœ¼„ ðœ½—ðœ¼… ðœ½ž ðœ½ðœ¼±ðœ¼‡ ðœ½œðœ¼† ðœ¾†ðœ¼… ðœ½ž 
ðœ½ðœ¼±ðœ¼ˆ ðœ½—ðœ¼‡ ðœ½ž ðœ½ðœ¼±ðœ¼‡ ðœ½–ðœ¼† ðœ½—ðœ¼… ðœ½ðœ¼±ðœ¼† ðœ½–ðœ¼… ðœ½œðœ¼„ðœ¼¶ ðœ¾–ðœ¼†ðœ¼¤ ðœ¾‹ðœ¼… ðœ¾ \\
Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ Ñ€Ð°-Ð¶Ð´Ð°Ì-ÐµÑ‚-ÑÑ§, ÑÐ»Ð°Ì-Ð²Ð¸-Ñ‚Ðµ: Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ ÑÑŠ Ð½Ð±ÒƒÑÑŠ, ÑÑ€Ñ§Ì-Ñ‰Ð¸-Ñ‚Ðµ:
Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ Ð½Ð° Ð·Ðµ-Ð¼Ð»Ñ, Ð²Ð¾Ð·-Ð½Ð¾-ÑÐ¸Ì-Ñ‚Ðµ-ÑÑ§. Ð¿Ð¾ÌÐ¹-Ñ‚Ðµ Ð“Ð¾Ì-ÑÐ¿Ð¾-Ð´Ðµ-Ð²Ð¸ Ð²ÑÑ§Ì€-~ Ð·Ðµ-Ð¼Ð»Ñ§Ì€,
Ð¸Ò† Ð²Ðµ-ÑÐµÌ-Ð»Ñ—-ÐµÐ¼ÑŠ Ð²Ð¾Ñ-Ð¿Ð¾--Ð¹Ñ‚Ðµ Ð»ÑŽÌ-Ð´Ñ—-Ðµ, ê™—Ò†Ì-ÐºÑ¡ Ð¿Ñ€Ð¾-ÑÐ»Ð°Ì-Ð²Ð¸-ÑÑ§.}
\end{verbatim}

\medskip

\begin{churchslavonic}
\noindent
\cuKrukPara{
ðœ½Ÿ ðœ¾†ðœ¼±ðœ¼‡ ðœ½—ðœ¼† ðœ½ðœ¼±ðœ¼¢ ðœ½–ðœ¼… ðœ½œðœ¼„ðœ¼¦ ðœ¾–ðœ¼†ðœ¼¤ ðœ½ðœ¼…ðœ¼¤ðœ½˜ ðœ¾†ðœ¼±ðœ¼ˆ ðœ½ž ðœ¾¬ðœ¼ˆðœ¼¤ ðœ½–ðœ¼… ðœ¾’ðœ¼°ðœ¼ºðœ¼†ðœ¼£ ðœ¾–ðœ¼†ðœ¼¤ ðœ¾‹ðœ¼… ðœ¾†ðœ¼„ ðœ½ðœ¼„ ðœ½ðœ¼… ðœ½—ðœ¼„ ðœ½ž ðœ½ðœ¼°ðœ¼… ðœ½–ðœ¼¢ ðœ½—ðœ¼¢ ðœ¾†ðœ¾…ðœ¼‡ ðœ½ðœ¼„ðœ¼¤ðœ½˜ ðœ¾†ðœ¼±ðœ¼‡ ðœ¾’ðœ¼±ðœ¼ˆðœ¼¤ ðœ½—ðœ¼‡ ðœ½ðœ¼±ðœ¼¢ ðœ½–ðœ¼† ðœ½—ðœ¼… ðœ½ž ðœ¾’ðœ¼°ðœ¼ºðœ¼† ðœ½ðœ¼„ ðœ½œðœ¼… ðœ¾†ðœ¼„ ðœ½—ðœ¼… ðœ½ž ðœ½ðœ¼±ðœ¼‡ ðœ½œðœ¼† ðœ¾†ðœ¼… ðœ½ž ðœ½ðœ¼±ðœ¼ˆ ðœ½—ðœ¼‡ ðœ½ž ðœ½ðœ¼±ðœ¼‡ ðœ½–ðœ¼† ðœ½—ðœ¼… ðœ½ðœ¼±ðœ¼† ðœ½–ðœ¼… ðœ½œðœ¼„ðœ¼¶ ðœ¾–ðœ¼†ðœ¼¤ ðœ¾‹ðœ¼… ðœ¾
\\
Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ Ñ€Ð°-Ð¶Ð´Ð°Ì-ÐµÑ‚-ÑÑ§, ÑÐ»Ð°Ì-Ð²Ð¸-Ñ‚Ðµ: Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ ÑÑŠ Ð½Ð±ÒƒÑÑŠ, ÑÑ€Ñ§Ì-Ñ‰Ð¸-Ñ‚Ðµ: Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ Ð½Ð° Ð·Ðµ-Ð¼Ð»Ñ, Ð²Ð¾Ð·-Ð½Ð¾-ÑÐ¸Ì-Ñ‚Ðµ-ÑÑ§. Ð¿Ð¾ÌÐ¹-Ñ‚Ðµ Ð“Ð¾Ì-ÑÐ¿Ð¾-Ð´Ðµ-Ð²Ð¸ Ð²ÑÑ§Ì€-~ Ð·Ðµ-Ð¼Ð»Ñ§Ì€, Ð¸Ò† Ð²Ðµ-ÑÐµÌ-Ð»Ñ—-ÐµÐ¼ÑŠ Ð²Ð¾Ñ-Ð¿Ð¾Ì--Ð¹Ñ‚Ðµ Ð»ÑŽÌ-Ð´Ñ—-Ðµ, ê™—Ò†Ì-ÐºÑ¡ Ð¿Ñ€Ð¾-ÑÐ»Ð°Ì-Ð²Ð¸-ÑÑ§.
}
\end{churchslavonic}

\medskip

\begin{EN}
\cuKinovar{Note 1}: the number of neume groups needs to equal the number of syllables, otherwise the \cs{cuKrukPara} command will return a compile-time error, such as: \verb+! Too many kruk groups.+

\cuKinovar{Note 2}: In both the \cs{cuKruk} and \cs{cuKrukPara} commands, the \verb+~+ character can be used when a neume appears without any syllable below it. The command will draw an underline under the relevant neume. Leaving a syllable empty will produce the same result. An empty neume block or the \verb+~+ character can also be used to produce a syllable with no neume above it (in this case, the neume block is left blank). To produce a neume with empty space (and no underline) below it, use any other command that is rendered as a space (for example, \cs{thinspace}). The following examples demonstrate the functionality:
\end{EN}
%
\begin{RU}
\cuKinovar{ÐŸÑ€Ð¸Ð¼ÐµÑ‡Ð°Ð½Ð¸Ðµ 1}: ÐºÐ¾Ð»Ð¸Ñ‡ÐµÑÑ‚Ð²Ð¾ Ð³Ñ€ÑƒÐ¿Ð¿ Ð½ÐµÐ²Ð¼ Ð´Ð¾Ð»Ð¶Ð½Ð¾ Ñ€Ð°Ð²Ð½ÑÑ‚ÑŒÑÑ ÐºÐ¾Ð»Ð¸Ñ‡ÐµÑÑ‚Ð²Ñƒ ÑÐ»Ð¾Ð³Ð¾Ð², Ð² Ð¿Ñ€Ð¾Ñ‚Ð¸Ð²Ð½Ð¾Ð¼ ÑÐ»ÑƒÑ‡Ð°Ðµ Ð¿Ñ€Ð¸ ÐºÐ¾Ð¼Ð¿Ð¸Ð»ÑÑ†Ð¸Ð¸ Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð° Ð²Ñ‹Ð´Ð°ÑÑ‚ Ð¾ÑˆÐ¸Ð±ÐºÑƒ, Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€: \verb+! Too many kruk groups.+

\cuKinovar{ÐŸÑ€Ð¸Ð¼ÐµÑ‡Ð°Ð½Ð¸Ðµ 2}: ÐšÐ°Ðº Ð² Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ðµ \cs{cuKruk}, Ñ‚Ð°Ðº Ð¸ Ð² Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ðµ \cs{cuKrukPara}, ÑÐ¸Ð¼Ð²Ð¾Ð» \verb+~+ Ð¼Ð¾Ð¶ÐµÑ‚ Ð±Ñ‹Ñ‚ÑŒ Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·Ð¾Ð²Ð°Ð½, ÐµÑÐ»Ð¸ ÐºÐ°ÐºÐ°Ñ-Ñ‚Ð¾ Ð½ÐµÐ²Ð¼Ð° ÑÑ‚Ð¾Ð¸Ñ‚ ÑÐ°Ð¼Ð¾ÑÑ‚Ð¾ÑÑ‚ÐµÐ»ÑŒÐ½Ð¾, Ð° Ð½Ðµ Ð½Ð°Ð´ ÑÐ»Ð¾Ð³Ð¾Ð¼ Ñ‚ÐµÐºÑÑ‚Ð°. Ð’ ÑÑ‚Ð¾Ð¼ ÑÐ»ÑƒÑ‡Ð°Ðµ Ð¿Ð¾Ð´ Ð½ÐµÐ²Ð¼Ð¾Ð¹ Ð±ÑƒÐ´ÐµÑ‚ Ð½Ð°Ñ€Ð¸ÑÐ¾Ð²Ð°Ð½Ð° Ð³Ð¾Ñ€Ð¸Ð·Ð¾Ð½Ñ‚Ð°Ð»ÑŒÐ½Ð°Ñ Ñ‡ÐµÑ€Ñ‚Ð°. Ð“Ð¾Ñ€Ð¸Ð·Ð¾Ð½Ñ‚Ð°Ð»ÑŒÐ½Ð°Ñ Ñ‡ÐµÑ€Ñ‚Ð° Ñ‚Ð°ÐºÐ¶Ðµ Ð±ÑƒÐ´ÐµÑ‚ Ð½Ð°Ñ€Ð¸ÑÐ¾Ð²Ð°Ð½Ð°, ÐµÑÐ»Ð¸ ÑƒÐºÐ°Ð·Ð°Ð½ Ð¿ÑƒÑÑ‚Ð¾Ð¹ ÑÐ»Ð¾Ð³. Ð•ÑÐ»Ð¸ ÑÐ¸Ð¼Ð²Ð¾Ð» \verb+~+ Ð²Ð²ÐµÐ´ÐµÐ½ Ð² Ð±Ð»Ð¾Ðº Ð´Ð»Ñ Ð½ÐµÐ²Ð¼Ñ‹ (Ð¸Ð»Ð¸ Ð±Ð»Ð¾Ðº Ð´Ð»Ñ Ð½ÐµÐ²Ð¼Ñ‹ Ð¾ÑÑ‚Ð°Ð²Ð»ÐµÐ½ Ð¿ÑƒÑÑ‚Ñ‹Ð¼), ÐºÐ¾Ð¼Ð°Ð½Ð´Ñ‹ Ð¿Ñ€Ð¾Ð¸Ð·Ð²Ð¾Ð´ÑÑ‚ ÑÐ»Ð¾Ð³ Ð±ÐµÐ· Ð½ÐµÐ²Ð¼Ñ‹ Ð½Ð°Ð´ Ð½Ð¸Ð¼ (Ð² ÑÑ‚Ð¾Ð¼ ÑÐ»ÑƒÑ‡Ð°Ðµ, Ð¼ÐµÑÑ‚Ð¾ Ð´Ð»Ñ Ð½ÐµÐ²Ð¼Ñ‹ Ð¾ÑÑ‚Ð°ÐµÑ‚ÑÑ Ð¿ÑƒÑÑ‚Ñ‹Ð¼). Ð§Ñ‚Ð¾Ð±Ñ‹ Ñ€Ð°ÑÐ¿Ð¾Ð»Ð¾Ð¶Ð¸Ñ‚ÑŒ Ð½ÐµÐ²Ð¼Ñƒ Ð½Ð°Ð´ Ð¿ÑƒÑÑ‚Ñ‹Ð¼ Ñ‚ÐµÐºÑÑ‚Ð¾Ð²Ñ‹Ð¼ Ð±Ð»Ð¾ÐºÐ¾Ð¼ (Ð±ÐµÐ· Ð³Ð¾Ñ€Ð¸Ð·Ð¾Ð½Ñ‚Ð°Ð»ÑŒÐ½Ð¾Ð¹ Ñ‡ÐµÑ€Ñ‚Ñ‹), Ð¼Ð¾Ð¶Ð½Ð¾ Ð²Ð²ÐµÑÑ‚Ð¸ Ð»ÑŽÐ±ÑƒÑŽ Ð´Ñ€ÑƒÐ³ÑƒÑŽ Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ñƒ, Ñ€Ð°ÑÐºÑ€Ñ‹Ð²Ð°ÑŽÑ‰ÑƒÑŽÑÑ Ð² Ð¿Ñ€Ð¾Ð±ÐµÐ» (Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, \cs{thinspace}). Ð¡Ð»ÐµÐ´ÑƒÑŽÑ‰Ð¸Ðµ Ð¿Ñ€Ð¸Ð¼ÐµÑ€Ñ‹ Ð¸Ð»Ð»ÑŽÑÑ‚Ñ€Ð¸Ñ€ÑƒÑŽÑ‚ ÑÑ‚Ð¸ Ð²Ð¾Ð·Ð¼Ð¾Ð¶Ð½Ð¾ÑÑ‚Ð¸:
\end{RU}

\begin{tabular}{ll}
\verb+\cuKruk{ðœ½}{}+ &amp; \cuKruk{ðœ½}{} \\
\verb+\cuKruk{ðœ½}{~}+ &amp; \cuKruk{ðœ½}{~} \\
\verb+\cuKruk{ðœ½}{\thinspace}+ &amp; \cuKruk{ðœ½}{\thinspace} \\
\verb+\cuKruk{~}{text}+ &amp; \cuKruk{~}{text} \\
\end{tabular}

\begin{EN}
\cuKinovar{Note 3}: fonts for Znamenny Notation usually provide color information for certain glyphs (such as the cinnabar marks) via data in the COLR and CPAL tables. However, COLR / CPAL technology is presently not supported in \XeTeX{} or \LuaTeX{}. When the \pkg{churchslavonic} package is loaded with the \texttt{autocolormarks} option, the \cs{cuKruk} and \cs{cuKrukPara} commands will automatically typeset the cinnabar marks in red by internally invoking the \cs{cuKinovar} macro. Additionally, if the \pkg{churchslavonic} package is loaded with the \texttt{gray} or \texttt{bw} options, the cinnabar marks will be typeset in grayscale or black, respectively. 

\cuKinovar{Limitations}: When a document is processed using \XeTeX{}, attempting to render marks in color breaks normal OpenType glyph positioning rules. Loading the \pkg{churchslavonic} package with the \texttt{autocolormarks} option when \XeTeX{} is used will produce a warning. Presently, you can only render marks in red and maintain correct positioning when using \LuaTeX{}. When a document is processed using \LuaTeX{}, the \pkg{churchslavonic} package by default loads with the \texttt{autocolormarks} option. If automatic coloring is not desired, it can be turned off in this case by loading the \pkg{churchslavonic} package with the \texttt{noautocolormarks} option.

The \cs{cuKruk} commands may be nested, which can be used to produce `explanatory marks' (\textrussian{&lt;&lt;Ð¿Ð¾Ð´Ð¾Ð±Ð½Ñ‹Ðµ Ð¿Ð¾Ð¼ÐµÑ‚Ñ‹&gt;&gt;}):
\end{EN}
%
\begin{RU}
\cuKinovar{ÐŸÑ€Ð¸Ð¼ÐµÑ‡Ð°Ð½Ð¸Ðµ 3}: ÑˆÑ€Ð¸Ñ„Ñ‚Ñ‹ Ð´Ð»Ñ Ð—Ð½Ð°Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸Ð¸ Ð¾Ð±Ñ‹Ñ‡Ð½Ð¾ Ð¿Ñ€ÐµÐ´Ð¾ÑÑ‚Ð°Ð²Ð»ÑÑŽÑ‚ Ð¸Ð½Ñ„Ð¾Ñ€Ð¼Ð°Ñ†Ð¸ÑŽ Ð¾ Ñ†Ð²ÐµÑ‚Ð°Ñ… Ð½ÐµÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ñ… Ð³Ð»Ð¸Ñ„Ð¾Ð² (Ð½Ð°Ð¿Ñ€Ð¸Ð¼ÐµÑ€, ÐºÐ¸Ð½Ð¾Ð²Ð°Ñ€Ð½Ñ‹Ñ… Ð¿Ð¾Ð¼ÐµÑ‚) Ð² Ñ‚Ð°Ð±Ð»Ð¸Ñ†Ð°Ñ… COLR Ð¸ CPAL. ÐžÐ´Ð½Ð°ÐºÐ¾ Ñ‚ÐµÑ…Ð½Ð¾Ð»Ð¾Ð³Ð¸Ñ COLR Ð¸ CPAL Ð½Ð° Ð´Ð°Ð½Ð½Ñ‹Ð¹ Ð¼Ð¾Ð¼ÐµÐ½Ñ‚ Ð½Ðµ Ð¿Ð¾Ð´Ð´ÐµÑ€Ð¶Ð¸Ð²Ð°ÐµÑ‚ÑÑ Ð² \XeTeX{} Ð¸ \LuaTeX{}. Ð•ÑÐ»Ð¸ Ð¿Ð°ÐºÐµÑ‚ \pkg{churchslavonic} Ð·Ð°Ð³Ñ€ÑƒÐ¶ÐµÐ½ Ñ Ð¾Ð¿Ñ†Ð¸ÐµÐ¹ \texttt{autocolormarks}, ÐºÐ¾Ð¼Ð°Ð½Ð´Ñ‹ \cs{cuKruk} Ð¸ \cs{cuKrukPara} Ð°Ð²Ñ‚Ð¾Ð¼Ð°Ñ‚Ð¸Ñ‡ÐµÑÐºÐ¸ Ñ€Ð°ÑÐºÑ€Ð°ÑˆÐ¸Ð²Ð°ÑŽÑ‚ ÐºÐ¸Ð½Ð¾Ð²Ð°Ñ€Ð½Ñ‹Ðµ Ð¿Ð¾Ð¼ÐµÑ‚Ñ‹, Ð²Ð½ÑƒÑ‚Ñ€ÐµÐ½Ð½Ðµ Ð²Ñ‹Ð·Ñ‹Ð²Ð°Ñ Ð´Ð»Ñ ÑÑ‚Ð¾Ð³Ð¾ ÐºÐ¾Ð¼Ð°Ð½Ð´Ñƒ \cs{cuKinovar}. Ðš Ñ‚Ð¾Ð¼Ñƒ Ð¶Ðµ, ÐµÑÐ»Ð¸ Ð¿Ð°ÐºÐµÑ‚ \pkg{churchslavonic} Ñ‚Ð°ÐºÐ¶Ðµ Ð·Ð°Ð³Ñ€ÑƒÐ¶ÐµÐ½ Ñ Ð¾Ð¿Ñ†Ð¸ÑÐ¼Ð¸ \texttt{gray} Ð¸Ð»Ð¸ \texttt{bw}, ÐºÐ¸Ð½Ð¾Ð²Ð°Ñ€Ð½Ñ‹Ðµ Ð¿Ð¾Ð¼ÐµÑ‚Ñ‹ Ð±ÑƒÐ´ÑƒÑ‚ Ð½Ð°Ð±Ñ€Ð°Ð½Ñ‹ Ð² Ð¾Ñ‚Ñ‚ÐµÐ½ÐºÐ°Ñ… ÑÐµÑ€Ð¾Ð³Ð¾ Ð¸Ð»Ð¸ Ñ‡ÐµÑ€Ð½Ñ‹Ð¼ Ñ†Ð²ÐµÑ‚Ð¾Ð¼, ÑÐ¾Ð¾Ñ‚Ð²ÐµÑ‚ÑÑ‚Ð²ÐµÐ½Ð½Ð¾.

\cuKinovar{ÐžÐ³Ñ€Ð°Ð½Ð¸Ñ‡ÐµÐ½Ð¸Ñ}: Ð°Ð²Ñ‚Ð¾Ð¼Ð°Ñ‚Ð¸Ñ‡ÐµÑÐºÐ°Ñ Ñ€Ð°ÑÐºÑ€Ð°ÑÐºÐ° ÐºÐ¸Ð½Ð¾Ð²Ð°Ñ€Ð½Ñ‹Ñ… Ð¿Ð¾Ð¼ÐµÑ‚  Ð² \XeTeX{} Ð½Ð°Ñ€ÑƒÑˆÐ°ÐµÑ‚ Ñ€Ð°Ð±Ð¾Ñ‚Ñƒ Ð¿Ñ€Ð°Ð²Ð¸Ð» Ð¿Ð¾Ð·Ð¸Ñ†Ð¸Ð¾Ð½Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð¸Ñ Ð³Ð»Ð¸Ñ„Ð¾Ð² Ð² Ñ‚Ð°Ð±Ð»Ð¸Ñ†Ð°Ñ… OpenType. ÐŸÐ¾Ð¿Ñ‹Ñ‚ÐºÐ° Ð·Ð°Ð³Ñ€ÑƒÐ·Ð¸Ñ‚ÑŒ Ð¿Ð°ÐºÐµÑ‚ \pkg{churchslavonic} Ñ Ð¾Ð¿Ñ†Ð¸ÐµÐ¹ \texttt{autocolormarks} ÐºÐ¾Ð³Ð´Ð° Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ \XeTeX{} Ð²Ñ‹Ð´Ð°ÑÑ‚ Ð¿Ñ€ÐµÐ´ÑƒÐ¿Ñ€ÐµÐ¶Ð´ÐµÐ½Ð¸Ðµ. ÐŸÑ€Ð°Ð²Ð¸Ð»ÑŒÐ½Ð¾Ð³Ð¾ Ð¿Ð¾Ð·Ð¸Ñ†Ð¸Ð¾Ð½Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð¸Ñ Ñ€Ð°ÑÐºÑ€Ð°ÑˆÐµÐ½Ð½Ñ‹Ñ… Ð¿Ð¾Ð¼ÐµÑ‚ Ð¼Ð¾Ð¶Ð½Ð¾ Ð´Ð¾ÑÑ‚Ð¸Ñ‡ÑŒ Ð² \LuaTeX{}. ÐšÐ¾Ð³Ð´Ð° Ð´Ð»Ñ Ð²ÐµÑ€ÑÑ‚ÐºÐ¸ Ð´Ð¾ÐºÑƒÐ¼ÐµÐ½Ñ‚Ð° Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÑ‚ÑÑ \LuaTeX{}, Ð¿Ð°ÐºÐµÑ‚ \pkg{churchslavonic} Ð·Ð°Ð³Ñ€ÑƒÐ¶Ð°ÐµÑ‚ÑÑ Ñ Ð¾Ð¿Ñ†Ð¸ÐµÐ¹ \texttt{autocolormarks} Ð¿Ð¾ ÑƒÐ¼Ð¾Ð»Ñ‡Ð°Ð½Ð¸ÑŽ. Ð’ ÑÑ‚Ð¾Ð¼ ÑÐ»ÑƒÑ‡Ð°Ðµ Ð°Ð²Ñ‚Ð¾Ð¼Ð°Ñ‚Ð¸Ñ‡ÐµÑÐºÐ¾Ðµ Ñ€Ð°ÑÐºÑ€Ð°ÑˆÐ¸Ð²Ð°Ð½Ð¸Ðµ Ð¿Ð¾Ð¼ÐµÑ‚ Ð¼Ð¾Ð¶Ð½Ð¾ Ð¾Ñ‚ÐºÐ»ÑŽÑ‡Ð¸Ñ‚ÑŒ, Ð·Ð°Ð³Ñ€ÑƒÐ·Ð¸Ð² Ð¿Ð°ÐºÐµÑ‚ \pkg{churchslavonic} Ñ Ð¾Ð¿Ñ†Ð¸ÐµÐ¹ \texttt{noautocolormarks}.

ÐœÐ°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ñ‹ \cs{cuKruk} Ð¼Ð¾Ð³ÑƒÑ‚ Ð²ÐºÐ»Ð°Ð´Ñ‹Ð²Ð°Ñ‚ÑŒÑÑ Ð´Ñ€ÑƒÐ³ Ð² Ð´Ñ€ÑƒÐ³Ð°, Ñ‡Ñ‚Ð¾ Ð¿Ð¾Ð·Ð²Ð¾Ð»ÑÐµÑ‚ Ð½Ð°Ð±Ð¸Ñ€Ð°Ñ‚ÑŒ Ñ‚ÐµÐºÑÑ‚ Ñ &lt;&lt;Ð¿Ð¾Ð´Ð¾Ð±Ð½Ñ‹Ð¼Ð¸ Ð¿Ð¾Ð¼ÐµÑ‚Ð°Ð¼Ð¸&gt;&gt;:
\end{RU}

\begin{tabular}{lc}
\verb+\cuKruk{\cuKruk{\cuKinovar{\tiny ðœ½—}}} + &amp;  \textchurchslavonic{\cuKruk{\cuKruk[krukRaise=0.5em]{\cuKinovar{\tiny ðœ½— }}{\Large ðœ½®}}{Ð»Ð°}} \\
\verb+{\Large ðœ½®}}{Ð»Ð°}+ &amp; \\
\end{tabular}

\medskip

\begin{EN}
\subsection{Controlling the Appearance of Znamenny Notation}

A number of parameters may be used to control the positioning and appearance of Znamenny neumes:

\begin{center}
\begin{tabular}{lp{3.5in}}
\hline
\verb+krukFont+ &amp; Specifies the font that is used to typeset the neumes \\
\verb+sylSpace+ &amp; Specifies the amount of spacing around a syllable (default is \verb+0.2em+) \\
\verb+topMargin+ &amp; Specifies the amount of space (margin) above the neumes (default is \verb+0.3em+) \\
\verb+krukRaise+ &amp; Specifies the amount of space between the neumes and lyrics (default is \verb+1em+) \\
\verb+sylRuleHeight+ &amp; Specifies the thickness of the rule used when no syllable appears below a neume (default is \verb+0.08em+) \\
\hline
\end{tabular}
\end{center}

\noindent The parameters are passed as options to the \cs{cuKruk} and \cs{cuKrukPara} commands, separated by commas. For example, we can modify the spacing of neumes in the above example:
\end{EN}
%
\begin{RU}
\subsection{Ð£Ð¿Ñ€Ð°Ð²Ð»ÐµÐ½Ð¸Ðµ Ð²Ð½ÐµÑˆÐ½Ð¸Ð¼ Ð²Ð¸Ð´Ð¾Ð¼ Ð·Ð½Ð°Ð¼ÐµÐ½Ð½Ñ‹Ñ… Ñ‚ÐµÐºÑÑ‚Ð¾Ð²}

Ð—Ð½Ð°Ñ‡ÐµÐ½Ð¸Ðµ Ð½ÐµÐºÐ¾Ñ‚Ð¾Ñ€Ñ‹Ñ… Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€Ð¾Ð² Ð¼Ð¾Ð¶ÐµÑ‚ Ð±Ñ‹Ñ‚ÑŒ Ð¸Ð·Ð¼ÐµÐ½ÐµÐ½Ð¾, Ñ‡Ñ‚Ð¾Ð±Ñ‹ Ð¿Ð¾Ð²Ð»Ð¸ÑÑ‚ÑŒ Ð½Ð° Ð¿Ð¾Ð·Ð¸Ñ†Ð¸Ð¾Ð½Ð¸Ñ€Ð¾Ð²Ð°Ð½Ð¸Ðµ Ð¸ Ð²Ð½ÐµÑˆÐ½Ð¸Ð¹ Ð²Ð¸Ð´ Ñ‚ÐµÐºÑÑ‚Ð¾Ð² ÑÐ¾ Ð—Ð½Ð°Ð¼ÐµÐ½Ð½Ð¾Ð¹ Ð½Ð¾Ñ‚Ð°Ñ†Ð¸ÐµÐ¹:

\begin{center}
\begin{tabular}{lp{3.5in}}
\hline
\verb+krukFont+ &amp; Ð£ÐºÐ°Ð·Ñ‹Ð²Ð°ÐµÑ‚ ÑˆÑ€Ð¸Ñ„Ñ‚, Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÐ¼Ñ‹Ð¹ Ð´Ð»Ñ Ð¾Ñ‚Ð¾Ð±Ñ€Ð°Ð¶ÐµÐ½Ð¸Ñ Ð½ÐµÐ²Ð¼ \\
\verb+sylSpace+ &amp; ÐšÐ¾Ð½Ñ‚Ñ€Ð¾Ð»Ð¸Ñ€ÑƒÐµÑ‚ ÐºÐ¾Ð»Ð¸Ñ‡ÐµÑÑ‚Ð²Ð¾ Ð¿ÑƒÑÑ‚Ð¾Ð³Ð¾ Ð¿Ñ€Ð¾ÑÑ‚Ñ€Ð°Ð½ÑÑ‚Ð²Ð° Ð²Ð¾ÐºÑ€ÑƒÐ³ ÑÐ»Ð¾Ð³Ð° (Ð¿Ð¾ ÑƒÐ¼Ð¾Ð»Ñ‡Ð°Ð½Ð¸ÑŽ: \verb+0.2em+) \\
\verb+topMargin+ &amp; ÐšÐ¾Ð½Ñ‚Ñ€Ð¾Ð»Ð¸Ñ€ÑƒÐµÑ‚ ÐºÐ¾Ð»Ð¸Ñ‡ÐµÑÑ‚Ð²Ð¾ Ð¿ÑƒÑÑ‚Ð¾Ð³Ð¾ Ð¿Ñ€Ð¾ÑÑ‚Ñ€Ð°Ð½ÑÑ‚Ð²Ð° (Ð¿Ð¾Ð»Ðµ) Ð½Ð°Ð´ Ð½ÐµÐ²Ð¼Ð°Ð¼Ð¸ (Ð¿Ð¾ ÑƒÐ¼Ð¾Ð»Ñ‡Ð°Ð½Ð¸ÑŽ: \verb+0.3em+) \\
\verb+krukRaise+ &amp; ÐšÐ¾Ð½Ñ‚Ñ€Ð¾Ð»Ð¸Ñ€ÑƒÐµÑ‚ Ð´Ð»Ð¸Ð½Ñƒ Ñ€Ð°Ð·Ñ€Ñ‹Ð²Ð° Ð¼ÐµÐ¶Ð´Ñƒ Ñ‚ÐµÐºÑÑ‚Ð¾Ð¼ Ð¸ Ð½ÐµÐ²Ð¼Ð°Ð¼Ð¸ (Ð¿Ð¾ ÑƒÐ¼Ð¾Ð»Ñ‡Ð°Ð½Ð¸ÑŽ: \verb+1em+) \\
\verb+sylRuleHeight+ &amp; Ð£ÐºÐ°Ð·Ñ‹Ð²Ð°ÐµÑ‚ Ñ‚Ð¾Ð»Ñ‰Ð¸Ð½Ñƒ Ð³Ð¾Ñ€Ð¸Ð·Ð¾Ð½Ñ‚Ð°Ð»ÑŒÐ½Ð¾Ð¹ Ñ‡ÐµÑ€Ñ‚Ñ‹, Ð¸ÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÐµÐ¼Ð¾Ð¹, ÐºÐ¾Ð³Ð´Ð° Ð¿Ð¾Ð´ Ð½ÐµÐ²Ð¼Ð¾Ð¹ Ð½ÐµÑ‚ ÑÐ»Ð¾Ð³Ð° (Ð¿Ð¾ ÑƒÐ¼Ð¾Ð»Ñ‡Ð°Ð½Ð¸ÑŽ: \verb+0.08em+) \\
\hline
\end{tabular}
\end{center}

\noindent Ð­Ñ‚Ð¸ Ð¿Ð°Ñ€Ð°Ð¼ÐµÑ‚Ñ€Ñ‹ Ð¼Ð¾Ð³ÑƒÑ‚ Ð±Ñ‹Ñ‚ÑŒ Ð·Ð°Ð´Ð°Ð½Ñ‹ ÐºÐ°Ðº Ð¾Ð¿Ñ†Ð¸Ð¸ Ðº Ð¼Ð°ÐºÑ€Ð¾ÐºÐ¾Ð¼Ð°Ð½Ð´Ð°Ð¼ \cs{cuKruk} Ð¸ \cs{cuKrukPara}, Ñ€Ð°Ð·Ð´ÐµÐ»ÐµÐ½Ð½Ñ‹Ðµ Ð·Ð°Ð¿ÑÑ‚Ñ‹Ð¼Ð¸. Ðš Ð¿Ñ€Ð¸Ð¼ÐµÑ€Ñƒ, Ð¿Ð¾Ð²Ð»Ð¸ÑÐµÐ¼ Ð½Ð° Ñ€Ð°Ð·Ñ€Ñ‹Ð²Ñ‹ Ð¸ Ð¿Ð¾Ð»Ñ Ð² Ð¿Ñ€Ð¸Ð²ÐµÐ´ÐµÐ½Ð½Ð¾Ð¼ Ð²Ñ‹ÑˆÐµ Ð¿Ñ€Ð¸Ð¼ÐµÑ€Ðµ:
\end{RU}

\begin{verbatim}
\cuKrukPara[krukRaise=1.5em,topMargin=0.6em,sylRuleHeight=0.02em]{ðœ½Ÿ ðœ¾†ðœ¼±ðœ¼‡ ... \\
Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ ... }
\end{verbatim}

\medskip

\begin{churchslavonic}
\noindent
\cuKrukPara[krukRaise=1.5em,topMargin=0.6em,sylRuleHeight=0.02em]{
ðœ½Ÿ ðœ¾†ðœ¼±ðœ¼‡ ðœ½—ðœ¼† ðœ½ðœ¼±ðœ¼¢ ðœ½–ðœ¼… ðœ½œðœ¼„ðœ¼¦ ðœ¾–ðœ¼†ðœ¼¤ ðœ½ðœ¼…ðœ¼¤ðœ½˜ ðœ¾†ðœ¼±ðœ¼ˆ ðœ½ž ðœ¾¬ðœ¼ˆðœ¼¤ ðœ½–ðœ¼… ðœ¾’ðœ¼°ðœ¼ºðœ¼†ðœ¼£ ðœ¾–ðœ¼†ðœ¼¤ ðœ¾‹ðœ¼… ðœ¾†ðœ¼„ ðœ½ðœ¼„ ðœ½ðœ¼… ðœ½—ðœ¼„ ðœ½ž ðœ½ðœ¼°ðœ¼… ðœ½–ðœ¼¢ ðœ½—ðœ¼¢ ðœ¾†ðœ¾…ðœ¼‡ ðœ½ðœ¼„ðœ¼¤ðœ½˜ ðœ¾†ðœ¼±ðœ¼‡ ðœ¾’ðœ¼±ðœ¼ˆðœ¼¤ ðœ½—ðœ¼‡ ðœ½ðœ¼±ðœ¼¢ ðœ½–ðœ¼† ðœ½—ðœ¼… ðœ½ž ðœ¾’ðœ¼°ðœ¼ºðœ¼† ðœ½ðœ¼„ ðœ½œðœ¼… ðœ¾†ðœ¼„ ðœ½—ðœ¼… ðœ½ž ðœ½ðœ¼±ðœ¼‡ ðœ½œðœ¼† ðœ¾†ðœ¼… ðœ½ž ðœ½ðœ¼±ðœ¼ˆ ðœ½—ðœ¼‡ ðœ½ž ðœ½ðœ¼±ðœ¼‡ ðœ½–ðœ¼† ðœ½—ðœ¼… ðœ½ðœ¼±ðœ¼† ðœ½–ðœ¼… ðœ½œðœ¼„ðœ¼¶ ðœ¾–ðœ¼†ðœ¼¤ ðœ¾‹ðœ¼… ðœ¾
\\
Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ Ñ€Ð°-Ð¶Ð´Ð°Ì-ÐµÑ‚-ÑÑ§, ÑÐ»Ð°Ì-Ð²Ð¸-Ñ‚Ðµ: Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ ÑÑŠ Ð½Ð±ÒƒÑÑŠ, ÑÑ€Ñ§Ì-Ñ‰Ð¸-Ñ‚Ðµ: Ð¥Ñ€Ð¸-ÑÑ‚Ð¾ÌÑÑŠ Ð½Ð° Ð·Ðµ-Ð¼Ð»Ñ, Ð²Ð¾Ð·-Ð½Ð¾-ÑÐ¸Ì-Ñ‚Ðµ-ÑÑ§. Ð¿Ð¾ÌÐ¹-Ñ‚Ðµ Ð“Ð¾Ì-ÑÐ¿Ð¾-Ð´Ðµ-Ð²Ð¸ Ð²ÑÑ§Ì€-~ Ð·Ðµ-Ð¼Ð»Ñ§Ì€, Ð¸Ò† Ð²Ðµ-ÑÐµÌ-Ð»Ñ—-ÐµÐ¼ÑŠ Ð²Ð¾Ñ-Ð¿Ð¾Ì--Ð¹Ñ‚Ðµ Ð»ÑŽÌ-Ð´Ñ—-Ðµ, ê™—Ò†Ì-ÐºÑ¡ Ð¿Ñ€Ð¾-ÑÐ»Ð°Ì-Ð²Ð¸-ÑÑ§.
}
\end{churchslavonic}

\begin{thebibliography}{9}

\bibitem{UN41}
  Aleksandr Andreev, Yuri Shardt, and Nikita Simmons.
  \emph{Church Slavonic Typography in Unicode},
  Uncode Technical Note~41. 2015.
  \url{http://www.unicode.org/notes/tn41/}

\end{thebibliography}

\end{document}
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